Malaysian Cinema, Asian Film : Border Crossings and National Cultures / William van der Heide.
Material type:
TextSeries: Film Culture in TransitionPublisher: Amsterdam : Amsterdam University Press, [2002]Copyright date: ©2002Description: 1 online resource (336 p.) : IllustratedContent type: - 9789053565803
- 9789048505128
- 791
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
|
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9789048505128 |
Browsing Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino shelves, Shelving location: Nuvola online Close shelf browser (Hides shelf browser)
|
|
|
|
|
|
|
||
| online - DeGruyter Camera Obscura, Camera Lucida : Essays in Honor of Annette Michelson / | online - DeGruyter Jean Desmet and the Early Dutch Film Trade / | online - DeGruyter Machiavelli in Brussels : The Art of Lobbying the EU / | online - DeGruyter Malaysian Cinema, Asian Film : Border Crossings and National Cultures / | online - DeGruyter Local Identities : Landscape and Community in the Late Prehistoric Meuse-Demer-Scheldt region / | online - DeGruyter The Politics of Justification : Party Competition and Welfare-State Retrenchment in Denmark and the Netherlands from 1982 to 1998 / | online - DeGruyter European Cinema : Face to Face with Hollywood / |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1: Border Crossings -- Chapter 2: Malaysian Society and Culture -- Chapter 3: Film in Malaysia -- Chapter 4: Malaysian Cinema -- Conclusion -- Notes -- Filmography -- Bibliography -- Index
Open Access unrestricted online access star
https://purl.org/coar/access_right/c_abf2
This monograph departs from traditional studies of national cinema by accentuating the intercultural and intertextual links between Malaysian films and Asian (as well as European and American) film practices. Using cross-cultural analysis, the author characterizes Malaysia as a pluralist society consisting of a multiplicity of cultural identities. Malaysian film reflects this remarkable heterogeneity, particularly evident in the impact of the Indian and Hong Kong cinema. Detailed analyses of a selection of Malaysian films highlight their cultural complexities, while noting the tension between cultural inclusivity and ethnic exclusivity at the heart of this cinema.
Mode of access: Internet via World Wide Web.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:
https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)