Library Catalog
Amazon cover image
Image from Amazon.com

Musical Worlds of Yogyakarta / Max M. Richter.

By: Material type: TextTextPublisher: Singapore : ISEAS Publishing, [2012]Copyright date: ©2012Description: 1 online resource (222 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9789814414456
  • 9789814414463
Subject(s): DDC classification:
  • 780.9582
LOC classification:
  • ML3917.I5 R53 2013
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgements -- Glossary of special terms -- Introduction: Approaching musical life in early post-Soeharto Yogyakarta -- PART 1. Music and the street -- Background -- 1. Sosrowijayan and its street workers -- 2. Musical forms and spaces -- 3. Music groups -- Conclusion -- PART 2. Habitus and physicality -- Background -- 4. Detachment engagement -- 5. Other worlds and sexualisation -- Conclusion -- PART 3. State power and musical cosmopolitanism -- Background -- 6. Regional Parliament -- 7. Armed Forces -- 8. Universities -- Conclusion -- Conclusion: Campursari and jalanan at the Sultan’s Palace -- Bibliography -- Index
Summary: Musical Worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (“mixed essences”) and jalanan (“of the street”). Musical Worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturally diverse inner-city settings.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9789814414463

Frontmatter -- Contents -- Acknowledgements -- Glossary of special terms -- Introduction: Approaching musical life in early post-Soeharto Yogyakarta -- PART 1. Music and the street -- Background -- 1. Sosrowijayan and its street workers -- 2. Musical forms and spaces -- 3. Music groups -- Conclusion -- PART 2. Habitus and physicality -- Background -- 4. Detachment engagement -- 5. Other worlds and sexualisation -- Conclusion -- PART 3. State power and musical cosmopolitanism -- Background -- 6. Regional Parliament -- 7. Armed Forces -- 8. Universities -- Conclusion -- Conclusion: Campursari and jalanan at the Sultan’s Palace -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Musical Worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (“mixed essences”) and jalanan (“of the street”). Musical Worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturally diverse inner-city settings.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)