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The Object as a Process : Essays Situating Artistic Practice / ed. by German A. Duarte, Stephan Schmidt-Wulffen.

Contributor(s): Material type: TextTextSeries: Edition Kulturwissenschaft ; 264Publisher: Bielefeld : transcript Verlag, [2022]Copyright date: ©2022Description: 1 online resource (266 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783839461143
Subject(s): DDC classification:
  • 701 23/eng/20230206
LOC classification:
  • N68 .O25 2023
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Foreword -- Speaking of Things – An Introduction -- The Autonomous Aesthetic of Allure: Mary Bauermeister’s Needless Needles and Graham Harman’s Object Philosophy -- Simply things: A phenomenological interpretation from technology to poetry -- Origins and Ends: Understanding the Medium of Painting According to Heidegger’s Truth -- Object as Symbol: Baudrillard’s Thanatopoietic Form -- Co-Production: Towards a Relational Ontology of Aesthetic Objects -- Correspondences: Exploring the Echoes of Jack Spicer’s Poetics in the Paintings of Matt Connors -- The Object of Non-Aesthetics -- Solid Gifts: Seven Lessons from the Fossil -- Massimo Bartolini’s Untitled Untitled (2001): The Strategy for Visualizing the Hyperspace -- The Lure of Absence: Can there be Process without Artists? -- A noisy love affair: The Language of Things in the Works of Mark Leckey and Musa paradisiaca -- The photographic multiples of Joseph Beuys as an extension of himself -- Obsolescence and reinvention: the case study of João Maria Gusmão and Pedro Paiva -- A Two-Way Mirror: Narcissism and Surveillance from the Closed Circuit to the Network -- Shape of Things, Shapes of Time -- El Anatsui “Triumphant Scale”: Material Realism and the Logic of Things -- Authors
Summary: How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer new insights into the ways the object - broadly construed, comprising digital and other non-classical objects - becomes an active element in artistic practice.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783839461143

Frontmatter -- Contents -- Foreword -- Speaking of Things – An Introduction -- The Autonomous Aesthetic of Allure: Mary Bauermeister’s Needless Needles and Graham Harman’s Object Philosophy -- Simply things: A phenomenological interpretation from technology to poetry -- Origins and Ends: Understanding the Medium of Painting According to Heidegger’s Truth -- Object as Symbol: Baudrillard’s Thanatopoietic Form -- Co-Production: Towards a Relational Ontology of Aesthetic Objects -- Correspondences: Exploring the Echoes of Jack Spicer’s Poetics in the Paintings of Matt Connors -- The Object of Non-Aesthetics -- Solid Gifts: Seven Lessons from the Fossil -- Massimo Bartolini’s Untitled Untitled (2001): The Strategy for Visualizing the Hyperspace -- The Lure of Absence: Can there be Process without Artists? -- A noisy love affair: The Language of Things in the Works of Mark Leckey and Musa paradisiaca -- The photographic multiples of Joseph Beuys as an extension of himself -- Obsolescence and reinvention: the case study of João Maria Gusmão and Pedro Paiva -- A Two-Way Mirror: Narcissism and Surveillance from the Closed Circuit to the Network -- Shape of Things, Shapes of Time -- El Anatsui “Triumphant Scale”: Material Realism and the Logic of Things -- Authors

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer new insights into the ways the object - broadly construed, comprising digital and other non-classical objects - becomes an active element in artistic practice.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)