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Descendants of Aztec Pictography : The Cultural Encyclopedias of Sixteenth-Century Mexico / Elizabeth Hill Boone.

By: Material type: TextTextPublisher: Austin : University of Texas Press, [2023]Copyright date: ©2021Description: 1 online resource (264 p.) : 115 color photos, 17 tablesContent type:
Media type:
Carrier type:
ISBN:
  • 9781477329351
Subject(s): DDC classification:
  • 970.980 22
LOC classification:
  • F1218.6
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Figures -- List of Tables -- Acknowledgments -- Chapter 1 Paintings from the Past -- Chapter 2 Graphic Complexity in New Spain -- Chapter 3 The Encyclopedic Tradition in Europe -- Chapter 4 The Evangelical Project and Mendicant Investigators -- Chapter 5 Early Compilations: Codices Borbonicus and Mendoza -- Chapter 6 The Mid-Century Encyclopedias: Codices Telleriano-Remensis and Ríos and the Magliabechiano Group -- Chapter 7 Durán and Sahagún: Cumulative Expositions of the Late Sixteenth Century -- Chapter 8 Memories in Figures -- Notes -- References Cited -- Index
Summary: In the aftermath of the sixteenth-century Spanish conquest of Mexico, Spanish friars and authorities partnered with indigenous rulers and savants to gather detailed information on Aztec history, religious beliefs, and culture. The pictorial books they created served the Spanish as aids to evangelization and governance, but their content came from the native intellectuals, painters, and writers who helped to create them. Examining the nine major surviving texts, preeminent Latin American art historian Elizabeth Hill Boone explores how indigenous artists and writers documented their ancestral culture. Analyzing the texts as one distinct corpus, Boone shows how they combined European and indigenous traditions of documentation and considers questions of motive, authorship, and audience. For Spanish authorities, she shows, the books revealed Aztec ideology and practice, while for the indigenous community, they preserved venerated ways of pictorial expression as well as rhetorical and linguistic features of ancient discourses. The first comparative analysis of these encyclopedias, Descendants of Aztec Pictography analyzes how the painted compilations embraced artistic traditions from both sides of the Atlantic.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781477329351

Frontmatter -- Contents -- List of Figures -- List of Tables -- Acknowledgments -- Chapter 1 Paintings from the Past -- Chapter 2 Graphic Complexity in New Spain -- Chapter 3 The Encyclopedic Tradition in Europe -- Chapter 4 The Evangelical Project and Mendicant Investigators -- Chapter 5 Early Compilations: Codices Borbonicus and Mendoza -- Chapter 6 The Mid-Century Encyclopedias: Codices Telleriano-Remensis and Ríos and the Magliabechiano Group -- Chapter 7 Durán and Sahagún: Cumulative Expositions of the Late Sixteenth Century -- Chapter 8 Memories in Figures -- Notes -- References Cited -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In the aftermath of the sixteenth-century Spanish conquest of Mexico, Spanish friars and authorities partnered with indigenous rulers and savants to gather detailed information on Aztec history, religious beliefs, and culture. The pictorial books they created served the Spanish as aids to evangelization and governance, but their content came from the native intellectuals, painters, and writers who helped to create them. Examining the nine major surviving texts, preeminent Latin American art historian Elizabeth Hill Boone explores how indigenous artists and writers documented their ancestral culture. Analyzing the texts as one distinct corpus, Boone shows how they combined European and indigenous traditions of documentation and considers questions of motive, authorship, and audience. For Spanish authorities, she shows, the books revealed Aztec ideology and practice, while for the indigenous community, they preserved venerated ways of pictorial expression as well as rhetorical and linguistic features of ancient discourses. The first comparative analysis of these encyclopedias, Descendants of Aztec Pictography analyzes how the painted compilations embraced artistic traditions from both sides of the Atlantic.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)