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Hegel on Sacred Poetry : Love, Freedom, and the Practical Roots of the Sublime / Víctor Ibarra B.

By: Material type: TextTextSeries: Literalität und Liminalität ; 35Publisher: Bielefeld : transcript Verlag, [2024]Copyright date: 2024Description: 1 online resource (234 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783839474143
Subject(s): DDC classification:
  • 193 23/eng/20240719
LOC classification:
  • B2948
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I: Die heilige Poesie—The Aesthetic Dimension of Hegel’s Sublime -- Chapter 1: The Reception of Hegel’s Sublime -- Chapter 2: Kant’s Sublime -- Chapter 3: Hegel’s Erhabenes and die heilige Poesie -- Part II: Heteronomie—The Practical Dimension of Hegel’s Sublime -- Introduction -- Chapter 1: Judaism, Kant’s Heteronomie, and Hegel’s Early Fragments -- Chapter 2: “Zur christlichen Religion” -- Concluding Remarks -- Literature
Summary: In his aesthetic reflections, Hegel identifies the Judaic Psalms, which he calls sacred poetry, as the core of the sublime. While it has often been suggested that Hegel showed little interest in the notion of sublimity, Ibarra B. contends that this interpretation is misleading and warrants further elucidation. Introducing a new perspective, he argues that a careful examination of Hegel's remarks on sacred poetry reveals a critique of the notion of agency as depicted in the Psalms. By revisiting Hegel's early works predating 1800 and his dispute with Kant's concept of freedom, this studyoffers a practical account of Hegel's view on sublime art within the framework of his philosophy of love.
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Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783839474143

Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I: Die heilige Poesie—The Aesthetic Dimension of Hegel’s Sublime -- Chapter 1: The Reception of Hegel’s Sublime -- Chapter 2: Kant’s Sublime -- Chapter 3: Hegel’s Erhabenes and die heilige Poesie -- Part II: Heteronomie—The Practical Dimension of Hegel’s Sublime -- Introduction -- Chapter 1: Judaism, Kant’s Heteronomie, and Hegel’s Early Fragments -- Chapter 2: “Zur christlichen Religion” -- Concluding Remarks -- Literature

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In his aesthetic reflections, Hegel identifies the Judaic Psalms, which he calls sacred poetry, as the core of the sublime. While it has often been suggested that Hegel showed little interest in the notion of sublimity, Ibarra B. contends that this interpretation is misleading and warrants further elucidation. Introducing a new perspective, he argues that a careful examination of Hegel's remarks on sacred poetry reveals a critique of the notion of agency as depicted in the Psalms. By revisiting Hegel's early works predating 1800 and his dispute with Kant's concept of freedom, this studyoffers a practical account of Hegel's view on sublime art within the framework of his philosophy of love.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)