Politics of Feeling in Songs of the Dutch Revolutionary Period / Renée Vulto.
Material type:
- 9789048557875
- Folk songs -- Netherlands -- 18th century -- History and criticism
- Political ballads and songs -- Netherlands -- 18th century -- History and criticism
- AUP Wetenschappelijk
- Amsterdam University Press
- Cultural Studies
- Dutch and The Netherlands
- Early Modern Studies
- History, Art History, and Archaeology
- Interdisciplinary Studies
- HISTORY / Europe / General
- song culture, emotions, revolutionary politics, performance
- 782.42162/3931 23/eng/20240802
- ML3670.3 .V85 2024
- online - DeGruyter
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9789048557875 |
Frontmatter -- Table of Contents -- List of Illustrations -- Acknowledgements -- A Note on Language and Music -- Politics of Feeling in Songs of the Dutch Revolutionary Period -- Part I Activating Political Bodies -- 1. Songs of the Patriot Citizens -- 2. Singing an Orangist Counterpoint -- Part II Constructing Emotional Bonds -- 3. Singing Together in Exile -- 4. The Sound of Revolution -- Part III Legitimizing a New Order -- 5. Songs of a New Batavian Nation -- 6. Singing on the Stage of European Conflict -- Conclusions: Listening to Singing Communities -- Epilogue: Napoleonic Transformations and a Return to the Old Order -- Bibliography -- List of songs -- List of tunes -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Politics of Feeling in Songs of the Dutch Revolutionary Period sheds new light on the intertwined history of music and politics by exploring Dutch political songs. In the emotionally charged climate of the Dutch revolutionary period at the close of the eighteenth century, songs became a powerful medium, speaking directly to people’s bodies to engage them in political action. Emphasizing the performative nature of the songs and the interplay between imagination and embodied expression in singing practices, this book shows how beyond merely creating communities, the songs were also instrumental in mobilizing, imagining, and affirming these collectives. It uncovers the diverse roles of these songs, showing how they were used both to polarize and to unite, to mourn and to celebrate. They were employed to imagine and to embody togetherness throughout the Dutch revolutionary period, thereby creating a fixed repertoire of feelings on which various political regimes of that time relied.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)