Making Monuments from Mass Graves in Contemporary Spain : Resistance through Remembrance / Daniel Palacios González.
Material type:
- 9789048560141
- Mass burials -- Spain
- Monuments -- Spain
- AUP Wetenschappelijk
- Amsterdam University Press
- Conflict and Peace
- Contemporary History
- Contemporary Society
- Cultural Studies
- Heritage Studies
- History, Art History, and Archaeology
- HISTORY / Military / Wars & Conflicts (Other)
- Mass graves, Exhumations, Monuments, Forensic Turn, Spanish Civil War
- 946.081/6 23//eng/20240802eng
- online - DeGruyter
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9789048560141 |
Frontmatter -- Table of Contents -- Introduction: Et in Arcadia Ego -- 1 From Violence to Resistance -- 2 Recovering Bodies and Places -- 3 The Forensic Turn and Return to Monuments -- Final Chapter: Mass Graves in Dispute -- Bibliography -- Methodological Appendix
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
This book narrates how, beginning in 1936, bodies buried in mass graves during the Spanish War and subsequent dictatorship were turned into monuments. The book describes how the production of monuments evolved and what forms this process and these monuments took; it examines how the monuments were incorporated into society and used to influence public opinion; and it argues that this process was not simply based on the formal logic of tradition but instead reflected a conscious plan with a specific and rational end goal. As such, this book puts forward the idea that the monument as a material object became an expression of the historical consciousness of its producers, relating how different actors communicated their memories into meaningful gestures while limited by the material reality of integrating the bodies into a novel artefact. Finally, it contends that the people creating these monuments did not just bury their dead according to a funerary tradition but also sought to influence society.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)