TY  - BOOK
AU  - Turner,Richard Brent
TI  - Jazz religion, the second line, and Black New Orleans
SN  - 9780253004109
AV  - ML3921.8.J39 T87 2009eb
U1  - 305.896/073076335 22
PY  - 2009///
CY  - Bloomington
PB  - Indiana University Press
KW  - Jazz
KW  - Louisiana
KW  - New Orleans
KW  - Religious aspects
KW  - Vodou
KW  - African Americans
KW  - Music
KW  - History and criticism
KW  - Louisiane
KW  - La Nouvelle-Orléans
KW  - Aspect religieux
KW  - SOCIAL SCIENCE
KW  - Ethnic Studies
KW  - African American Studies
KW  - bisacsh
KW  - fast
KW  - Wodu
KW  - gnd
KW  - Religion
KW  - Schwarze
KW  - idszbz
KW  - Religiöses Fest
KW  - Parade
KW  - Bestattung
KW  - New Orleans, La
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 161-174) and index; Introduction : Follow the second line -- The Haiti-New Orleans vodou connection : Zora Neale Hurston as initiate observer -- Mardi Gras Indians and second lines, sequin artists and rara bands : street festivals and performances in New Orleans and Haiti -- Interlude: The healing arts of African diasporic religion -- In rhythm with the spirit : New Orleans jazz funerals and the African diaspora -- Epilogue : A jazz funeral for "a city that care forgot" : the New Orleans diaspora after Hurricane Katrina; Electronic reproduction; [Place of publication not identified]; HathiTrust Digital Library; 2010
N2  - In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals. Here musical and religious traditions interplay. Jazz Religion, the Second Line, and Black New Orleans examines the relationship of jazz
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