TY  - BOOK
AU  - Stowe,David W.
TI  - No sympathy for the devil: Christian pop music and the transformation of American evangelicalism 
SN  - 9780807878002
AV  - ML3187.5 .S78 2011eb
U1  - 781.71/064 22
PY  - 2011///
CY  - Chapel Hill
PB  - University of North Carolina Press
KW  - Contemporary Christian music
KW  - United States
KW  - History and criticism
KW  - Popular music
KW  - Religious aspects
KW  - Evangelicalism
KW  - Musique populaire chrétienne
KW  - États-Unis
KW  - Histoire et critique
KW  - Musique populaire
KW  - Aspect religieux
KW  - Évangélisme
KW  - MUSIC
KW  - Religious
KW  - Christian
KW  - bisacsh
KW  - Contemporary Christian
KW  - RELIGION
KW  - Christian Life
KW  - Inspirational
KW  - fast
KW  - Popmusik
KW  - gnd
KW  - Evangelikale Bewegung
KW  - USA
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 271-283) and index; Cover; Contents; Introduction; 1 JESUS ON THE BEACH; 2 JESUS ON BROADWAY; 3 GODSTOCK; 4 SOUL ON CHRIST; 5 HOLLYWOOD'S GOSPEL ROAD; 6 LET'S GET MARRIED; 7 SHOCK ABSORBERS; 8 YEAR OF THE EVANGELICAL; 9 CRISES OF CONFIDENCE; 10 LAST DAYS; Epilogue; Acknowledgments; Notes; Bibliography; Index
N2  - In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier generation, the idea of combining conservative Christianity with rock--and its connotations of nonreligious, if not antireligious, attitudes--may have seemed impossible. Today, however, Christian rock and pop comprises the music of worship for millions of Christians in the United States, with recordings outselling classical, jazz, and New Age
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=362700
ER  -