TY - BOOK AU - Rasmussen,Anne K. TI - Women, the recited Qur'an, and Islamic music in Indonesia SN - 9780520947429 AV - ML3197 .R37 2010eb U1 - 781.7/7008209598 22 PY - 2010/// CY - Berkeley PB - University of California Press KW - Qurʼan KW - Recitation KW - Coran KW - Récitation KW - fast KW - Islamic music KW - Indonesia KW - History and criticism KW - Muslim women KW - Social conditions KW - Women in Islam KW - Musulmanes KW - Indonésie KW - Conditions sociales KW - Femmes dans l'islam KW - 11.84 Islam: other KW - bcl KW - MUSIC KW - Religious KW - Muslim KW - bisacsh KW - Ethnomusicology KW - Koranrezitation KW - gnd KW - Musik KW - Muslimin KW - Women KW - gtt KW - Islam KW - Religious music KW - Indonesien KW - aesthetics KW - arab influenced KW - contemporary indonesia KW - diversity KW - divine texts KW - ethnographers KW - ethnographic research KW - gender roles KW - ideological issues KW - indonesia KW - indonesian recitation KW - islamic music KW - islamic musical styles KW - muslim populations KW - new order KW - nonfiction KW - public soundscape KW - recitation KW - recited quran KW - reformation era KW - religious music KW - religious nationalism KW - religious recitations KW - role of music KW - suharto KW - women and music KW - women KW - womens roles KW - Electronic books KW - Criticism, interpretation, etc N1 - Includes bibliographical references (pages 279-295) and index; Setting the scene -- Hearing Islam in the atmosphere -- Learning recitation : the institutionalization of the recited Qur'an -- Celebrating religion and nation : the festivalization of the Qur'an -- Performing piety through Islamic musical arts -- Rethinking women, music, and Islam N2 - Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=333369 ER -