TY - BOOK AU - Araeen,Rasheed AU - Bakoš,Ján AU - Barlow,Tani AU - Barriendos,Joaquín AU - Berry,Chris AU - Canclini,Néstor García AU - Clark,John AU - Dadi,Iftikhar AU - Demos,T.J. AU - Elkins,James AU - Gabara,Esther AU - Gopnik,Blake AU - Green,Charles AU - Grzinic,Marina AU - Gupta,Suman AU - Harris,Jonathan AU - Jarzombek,Mark AU - Jones,Caroline A. AU - Kim,Alice AU - King,Anthony D. AU - Leitzel,Karl Eric AU - Loeb,Carolyn AU - Mitter,Partha AU - Möntmann,Nina AU - Pai,Hyungmin AU - Sassen,Saskia AU - Tiampo,Ming AU - Tomii,Reiko AU - Valiavicharska,Zhivka AU - Wee,C.J.W.-L. TI - The Stone Art Theory Institutes. Art and Globalization T2 - The Stone Art Theory Institutes SN - 9780271072258 AV - N72.G55 A76 2010 U1 - 701/.03 23 PY - 2015///] CY - University Park, PA : PB - Penn State University Press, KW - Art and globalization KW - ART / Criticism KW - bisacsh KW - Anthony D. King KW - Caroline Jones KW - Charles Green KW - Elkins KW - Fredric Jameson KW - Harry Harootunian KW - Iftikhar Dadi KW - Joaquín Barriendos KW - John Clark KW - Keith Moxey KW - Literature KW - Michael Ann Holly KW - Néstor García Canclini KW - Partha Mitter KW - Rasheed Araeen KW - Shigemi Inaga KW - Suman Gupta KW - Susan Buck-Morss KW - T. J. Demos KW - Thomas DaCosta Kaufmann KW - Valiavicharska KW - anthropology KW - art KW - biennale culture KW - cultural studies KW - ethnic identity KW - globalization KW - kim KW - nationalism KW - political economy KW - political theory KW - postcolonial theory KW - sociology N1 - Frontmatter --; Contents --; Series Preface --; First Introduction --; Second Introduction --; The Seminars --; 1. The national situation --; 2. Translation --; 3. The prehistory of globalization --; 4. Hybridity --; 5. Temporality --; 6. Postcolonial narratives --; 7. Neoliberalism --; 8. Four failures of the seminars --; 9. Universality --; Assessments --; Globalism/Globalization --; Letter on globalization --; Letter on globalization --; Hybridization and the geopolitics of art --; The oxymoron of global art --; Circulate, but without differences! --; Academic difficulties with “convergence” : globalization and contemporary art --; Art, globalization, and imperialism --; Narratives of belonging: on the relation of the art institution and the changing nation-state --; Originality, universality, and other modernist myths --; Contemporary art, “contemporaneity,” and world art history --; Speaking of modern and contemporary asian art --; A distant view --; Globalization and transnational modernism --; Art history and architecture’s aporia --; So what might be solved here? --; Perspectives on scale: From the atomic to the universal --; A remark on globalization in (east) Central Europe --; Globalization and (contemporary) art --; Thinking through shards of china --; In and out of the local --; What’s wrong with global art? --; global art history and transcultural studies --; looking for something --; nomadic territories and times --; Dead parrot society --; Geoaesthetic hierarchies: geography, geopolitics, global art, and coloniality --; Afterword --; Notes on the contributors --; Index; restricted access N2 - The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee. Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today UR - https://doi.org/10.1515/9780271072258?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9780271072258 UR - https://www.degruyter.com/document/cover/isbn/9780271072258/original ER -