TY  - BOOK
AU  - Altman,Rick
AU  - Bourget,Jean-Loup
AU  - Buscombe,Edward
AU  - Cawelti,John G.
AU  - Cordova,Richard De
AU  - Deleyto,Celestino
AU  - Desser,David
AU  - Elsaesser,Thomas
AU  - Feuer,Jane
AU  - Gallagher,Tag
AU  - Grant,Barry Keith
AU  - Hess Wright,Judith
AU  - Higson,Andrew
AU  - Jeffords,Susan
AU  - Kawin,Bruce F.
AU  - Klinger,Barbara
AU  - Mitchell,Edward
AU  - Neale,Steve
AU  - Pye,Douglas
AU  - Ramírez Berg,Charles
AU  - Reid,Mark A.
AU  - Schatz,Thomas
AU  - Schrader,Paul
AU  - Shary,Timothy
AU  - Shumway,David R.
AU  - Sobchack,Thomas
AU  - Sobchack,Vivian
AU  - Staiger,Janet
AU  - Straayer,Chris
AU  - Tarratt,Margaret
AU  - Tasker,Yvonne
AU  - Tudor,Andrew
AU  - Williams,Linda
AU  - Wood,Robin
AU  - Yacowar,Maurice
AU  - grindon,leger
TI  - Film Genre Reader IV
SN  - 9780292742079
AV  - PN1995 .F457933 2012
U1  - 791.43/6 
PY  - 2021///]
CY  - Austin : 
PB  - University of Texas Press, 
KW  - Motion picture plays
KW  - History and criticism
KW  - PERFORMING ARTS / General
KW  - bisacsh
N1  - Frontmatter --; Acknowledgments --; Contents --; Preface to the Fourth Edition --; Introduction --; Part One: Theory --; 1. Genre --; 2. The Idea of Genre in the American Cinema --; 3. A Semantic/Syntactic Approach to Film Genre --; 4. Cycles and Clusters: The Shape of Film Genre History --; 5. Genre Films and the Status Quo --; 6. Social Implications in the Hollywood Genres --; 7. Ideology, Genre, Auteur --; 8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre --; 9. The Structural Influence: New Directions in Film Genre Study --; 10. Genre Film: A Classical Experience --; 11. Experience and Meaning in Genre Films --; 12. Genre and Performance: An Overview --; 13. Film Bodies: Gender, Genre, and Excess --; 14. Questions of Genre --; 15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History --; 16. Film Genres at the Crossroads: What Genres and Films Do to Each Other --; Part Two: Selected Genre Criticism --; 17. The Western (Genre and Movies) --; 18. Apes and Essences: Some Sources of Significance in the American Gangster Film --; 19. Notes on Film Noir --; 20. Chinatown and Generic Transformation in Recent American Films --; 21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western --; 22. The Bug in the Rug: Notes on the Disaster Genre --; 23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic --; 24. Children of the Light --; 25. Monsters from the Id --; 26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery --; 27. Tales of Sound and Fury: Observations on the Family Melodrama --; 28. Screwball Comedies: Constructing Romance, Mystifying Marriage --; 29. Redressing the “Natural”: The Temporary Transvestite Film --; 30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films --; 31. The Family in Action --; 32. The Self-Reflexive Musical and the Myth of Entertainment --; 33. The Black Gangster Film --; 34. Teen Films: The Cinematic Image of Youth --; 35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film --; 36. Global Noir: Genre Film in the Age of Transnationalism --; Bibliography --; Notes on Contributors --; Index; restricted access
N2  - From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood
UR  - https://doi.org/10.7560/742055
UR  - https://www.degruyter.com/isbn/9780292742079
UR  - https://www.degruyter.com/document/cover/isbn/9780292742079/original
ER  -