TY  - BOOK
AU  - Bridgforth,Sharon
AU  - Jones,Omi Osun Joni L.
AU  - Moore,Lisa L.
TI  - Experiments in a Jazz Aesthetic: Art, Activism, Academia, and the Austin Project 
T2  - Louann Atkins Temple Women & Culture Series
SN  - 9780292792968
U1  - 808.5/4 22
PY  - 2021///]
CY  - Austin : 
PB  - University of Texas Press, 
KW  - African American aesthetics
KW  - American poetry
KW  - Women authors
KW  - Art and social action
KW  - United States
KW  - Creative writing
KW  - Handbooks, manuals, etc
KW  - Music and literature
KW  - Performance art
KW  - Texts
KW  - Social aspects
KW  - Performance poetry
KW  - Authorship
KW  - PERFORMING ARTS / General
KW  - bisacsh
N1  - Frontmatter --; Contents --; Preface: How to Use This Book --; Acknowledgments --; Part I: Framing the Work --; Chapter One. Making Space: Producing the Austin Project --; Chapter Two. Finding Voice: Anchoring the Austin Project’s Artistic Process --; Part II: Working the Work: An Anthology of Austin Project Writings --; Chapter Three. Polyphony: Writings by Ensemble Members --; Chapter Four. Call and Response: Performance Pieces by Austin Project Guest Artists --; Chapter Five. Affirming Connection: Pre-Show Artists’ Performance Texts --; Chapter Six. Spoken-Word Orchestra: A Full Script from the Austin Project Jam Session, December 2005 --; Part III: The Work of Transformation --; Chapter Seven. Transforming Practice: Artists, Activists, and Academics Working across Boundaries --; Chapter Eight. Work of the Spirit: A Conversation with an Austin Project Elder --; Chapter Nine. Narrating the Austin Project: The First Five Years --; Notes --; Index; restricted access
N2  - In Austin, Texas, in 2002, a group of artists, activists, and academics led by performance studies scholar Omi Osun Joni L. Jones formed the Austin Project (tAP), which meets annually in order to provide a space for women of color and their allies to build relationships based on trust, creativity, and commitment to social justice by working together to write and perform work in the jazz aesthetic. Inspired by this experience, this book is both an anthology of new writing and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. Theoretical and historical essays by Omi Osun Joni L. Jones describe and define the African American tradition of art-making known as the jazz aesthetic, and explain how her own work in this tradition inspired her to start tAP. Key artists in the tradition, from Bessie Award–winning choreographer Laurie Carlos and writer/performer Robbie McCauley to playwrights Daniel Alexander Jones and Carl Hancock Rux, worked with the women of tAP as mentors and teachers. This book brings together never-before-published, must-read materials by these nationally known artists and the transformative writing of tAP participants. A handbook for workshop leaders by Lambda Literary Award–winning writer Sharon Bridgforth, tAP's inaugural anchor artist, offers readers the tools for starting similar projects in their own communities. A full-length script of the 2005 tAP performance is an original documentation of the collaborative, breath-based, body work of the jazz aesthetic in theatre, and provides both a script for use by theatre artists and an invaluable documentation of a major transformative movement in contemporary performance
UR  - https://doi.org/10.7560/722040
UR  - https://www.degruyter.com/isbn/9780292792968
UR  - https://www.degruyter.com/document/cover/isbn/9780292792968/original
ER  -