TY - BOOK AU - Goldwater,Robert TI - Primitivism in Modern Art SN - 9780674281875 AV - N6465.P74 U1 - 709.04 PY - 2013///] CY - Cambridge, MA : PB - Harvard University Press, KW - Art, Modern KW - Künste, Bildende Kunst allgemein KW - Primitivism in art KW - ART / History / Prehistoric & Primitive KW - Art, Modern -- 19th century KW - Art, Modern -- 20th century KW - bisacsh N1 - Frontmatter --; Contents --; Illustrations --; Publisher’s Note to the Enlarged Edition --; Preface to the Revised Edition --; Introduction --; I Primitive Art in Europe --; II The Preparation --; III Romantic Primitivism --; IV Emotional Primitivism --; V Intellectual Primitivism --; VI The Primitivism of the Subconscious --; VII Primitivism in Modern Sculpture --; VIII A Definition of Primitivism --; IX Judgments of Primitive Art, 1905-1965 --; X Art History and Anthropology: Some Comparisons of Methodology --; Appendix --; The Publications of Robert Goldwater (1907-1973) --; Index; restricted access N2 - This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition UR - https://doi.org/10.4159/harvard.9780674281882 UR - https://www.degruyter.com/isbn/9780674281882 UR - https://www.degruyter.com/cover/covers/9780674281882.jpg ER -