TY - BOOK AU - Eisenman,Peter AU - Iturbe,Elisa AU - Whiting,Sarah TI - Lateness T2 - POINT: Essays on Architecture SN - 9780691147222 AV - NA500 .E57 2020 U1 - 724 23 PY - 2020///] CY - Princeton, NJ : PB - Princeton University Press, KW - Architecture, Modern KW - Space and time KW - ARCHITECTURE / Criticism KW - bisacsh KW - Dialectic of Enlightenment KW - Five Architects KW - Frankfurt School KW - From Formalism to Weak Form KW - Giuseppe Terragni KW - Looshaus KW - Minima Moralia KW - Negative Dialectics KW - New York Five KW - Ornament and Crime KW - San Cataldo Cemetery KW - Shadow-Makers KW - Spoken into the Void KW - Stefano Corbo KW - Stephen Kite KW - Ten Canonical Buildings KW - The Architecture of the City KW - architectural history KW - architectural theory KW - critical theory KW - deconstructionist architects KW - deconstructionist architecture KW - modernist architects KW - modernist architecture KW - ornamentation KW - raumplan N1 - Frontmatter --; Contents --; Series Editor’s Preface --; Introduction --; Lateness: Toward a Definition --; Lateness in the Twentieth Century --; Adolf Loos --; Aldo Rossi --; John Hejduk --; Conclusion --; Acknowledgments --; Notes; restricted access N2 - A provocative case for historical ambiguity in architecture by one of the field's leading theoristsConceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis UR - https://doi.org/10.1515/9780691203911?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9780691203911 UR - https://www.degruyter.com/document/cover/isbn/9780691203911/original ER -