TY  - BOOK
AU  - Bellamann,Henry
AU  - Botstein,Leon
AU  - Broyles,Michael
AU  - Burkholder,J.
AU  - Burkholder,J.Peter
AU  - Carter,Elliott
AU  - Cowell,Henry
AU  - Downes,Olin
AU  - Herrmann,Bernard
AU  - Hertz,David Michael
AU  - Lieberson,Goddard
AU  - Moor,Paul
AU  - Rosenfeld,Paul
AU  - Schrade,Leo
AU  - Slonimsky,Nicolas
AU  - Taubman,Howard
AU  - Tucker,Mark
TI  - Charles Ives and His World
T2  - The Bard Music Festival
SN  - 9780691223254
U1  - 780.92 23
PY  - 2021///]
CY  - Princeton, NJ : 
PB  - Princeton University Press, 
KW  - MUSIC / History & Criticism
KW  - bisacsh
KW  - Aaron Copland
KW  - Alexander Scriabin
KW  - American Tune
KW  - American popular music
KW  - Antonín Dvorák
KW  - Arnold Schoenberg
KW  - Art music
KW  - Atonality
KW  - Bernard Herrmann
KW  - Career
KW  - Carl Ruggles
KW  - Charles Ives
KW  - Choir
KW  - Church music
KW  - Claude Debussy
KW  - Composer
KW  - Contemporary classical music
KW  - Creative work
KW  - Dissonant
KW  - Dudley Buck
KW  - E. Robert Schmitz
KW  - Early music
KW  - Entrance (musician)
KW  - Ernest Walker (composer)
KW  - Example (musician)
KW  - Experimental music
KW  - Felix Mendelssohn
KW  - For Example
KW  - Franz Liszt
KW  - Gilbert and Sullivan
KW  - Gospel Song (19th century)
KW  - Gustav Mahler
KW  - Half note
KW  - Harry Lauder
KW  - Hear the Music
KW  - Henry Bellamann
KW  - Henry Cowell
KW  - Horatio Parker
KW  - Hymn tune
KW  - Igor Stravinsky
KW  - Illustration
KW  - Improvisation
KW  - Insurance
KW  - Johann Sebastian Bach
KW  - Johannes Brahms
KW  - John Cage
KW  - La mer (Debussy)
KW  - Leon Botstein
KW  - Leonard Bernstein
KW  - Lou Harrison
KW  - Ludwig van Beethoven
KW  - Maynard Solomon
KW  - Metre (music)
KW  - Modernism (music)
KW  - Modulation (music)
KW  - Music Is
KW  - Music history
KW  - Music theory
KW  - Musical "ation
KW  - Musical composition
KW  - Musical expression
KW  - Musician
KW  - New York Philharmonic
KW  - Newspaper
KW  - Nicolas Slonimsky
KW  - Olin Downes
KW  - Orchestra
KW  - Organist
KW  - Paul Hindemith
KW  - Philosopher
KW  - Phrase (music)
KW  - Piano Music (Louie)
KW  - Piano
KW  - Polyrhythm
KW  - Polytonality
KW  - Popular music
KW  - Prose
KW  - Rhythm
KW  - Richard Strauss
KW  - Schumann
KW  - Singing
KW  - Sonata in B minor (Liszt)
KW  - Songwriter
KW  - Stuart
KW  - Symphony No. 3 (Beethoven)
KW  - Symphony No. 5 (Beethoven)
KW  - The Musical Quarterly
KW  - The New York Times
KW  - The Orchestra
KW  - Three Places in New England
KW  - Time signature
KW  - Tonality
KW  - Tone cluster
KW  - Transcendentalism
KW  - Universe Symphony (Ives)
KW  - Vachel Lindsay
KW  - Virgil Thomson
KW  - Writing
KW  - Yaddo
KW  - Yale University
N1  - Frontmatter --; Contents --; Preface and Acknowledgments --; Part I ESSAYS --; Ives and the Four Musical Traditions --; Innovation and Nostalgia: Ives, Mahler, and the Origins of Twentieth-Century Modernism --; Ives's Concord Sonata and the Texture of Music --; Charles Ives and the American Democratic Tradition --; Of Men and Mountains: Ives in the Adirondacks --; Part II LETTERS --; Selected Correspondence 1881-1954 --; Part III REVIEWS --; Selected Reviews 1888-1951 --; PART IV CONTEMPORARY VIEWS OF IVES AND HIS MUSIC! PROFILES 1932-1955 --; Charles E. Ives --; Charles Ives --; Charles Ives: The Man and His Music [Excerpt] --; An American Innovator, Charles Ives --; Ives Today: His Vision and Challenge --; Four Symphonies by Charles Ives --; Tardy Recognition: Emergence of Charles Ives as Strongly Individual Figure In American Music --; On Horseback to Heaven: Charles Ives --; Posterity Catches Up with Charles Ives --; Charles Ives—America's Musical Prophet [Excerpt] --; Charles E. Ives: 1874-1954 --; Index --; List of Contributors; restricted access
N2  - This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer
UR  - https://doi.org/10.1515/9780691223254?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9780691223254
UR  - https://www.degruyter.com/document/cover/isbn/9780691223254/original
ER  -