TY  - BOOK
AU  - Adamson,Walter
AU  - Affron,Matthew
AU  - Antliff,Mark
AU  - Braun,Emily
AU  - Cone,Michele
AU  - Gentile,Emilio
AU  - Locke,Nancy
AU  - Stone,Maria
TI  - Fascist Visions: Art and Ideology in France and Italy 
SN  - 9780691241968
U1  - 709/.44 22
PY  - 2022///]
CY  - Princeton, NJ : 
PB  - Princeton University Press, 
KW  - Art and state
KW  - France
KW  - Italy
KW  - Fascism and art
KW  - ART / Individual Artists / General
KW  - bisacsh
KW  - A. James Gregor
KW  - Activism
KW  - Aestheticism
KW  - Anarcho-syndicalism
KW  - Art Journal (College Art Association journal)
KW  - Art critic
KW  - Avant-garde
KW  - Biennale
KW  - Blackshirts
KW  - Bourgeoisie
KW  - Cercle Proudhon
KW  - Charles Maurras
KW  - Class conflict
KW  - Classicism
KW  - Contemporary art
KW  - Corporatism
KW  - Cubism
KW  - Culture and Society
KW  - Defamiliarization
KW  - Degenerate art
KW  - Dictatorship
KW  - Diego Rivera
KW  - Emilio Gentile
KW  - Emily Braun
KW  - Eric Hobsbawm
KW  - Eugen Weber
KW  - Faisceau
KW  - Fascism and ideology
KW  - Fernand Pelloutier
KW  - Fine art
KW  - Friedrich Nietzsche
KW  - Futurism
KW  - Georges Sorel
KW  - Georges-Eugène Haussmann
KW  - Giorgio de Chirico
KW  - Giovanni Amendola
KW  - Giovanni Gentile
KW  - Giovanni Lista
KW  - Giuseppe Mazzini
KW  - Giuseppe Terragni
KW  - Guillaume Apollinaire
KW  - Henri Bergson
KW  - High Renaissance
KW  - Hubert Lagardelle
KW  - Ideology
KW  - Il Popolo d'Italia
KW  - Illustration
KW  - Imperialism
KW  - Institution
KW  - Italian Fascism
KW  - Italian resistance movement
KW  - Italian unification
KW  - Italians
KW  - Josef Strzygowski
KW  - Le Corbusier
KW  - Left-wing politics
KW  - Liberalism
KW  - Macchiaioli
KW  - Manifesto
KW  - Marcel Duchamp
KW  - Mario Sironi
KW  - Modernism
KW  - Modernity
KW  - Nationalism
KW  - Nazism
KW  - Opera Nazionale Balilla
KW  - Palingenetic ultranationalism
KW  - Patronage
KW  - Perjury
KW  - Piero Gobetti
KW  - Political revolution
KW  - Politics
KW  - Politique
KW  - Princeton University Press
KW  - Proletarian nation
KW  - Racism
KW  - Reactionary modernism
KW  - Reflections on Violence
KW  - Renaissance art
KW  - Return to order
KW  - Rhetoric
KW  - Robert Paxton
KW  - Roberto Farinacci
KW  - Roger Griffin
KW  - Sorelianism
KW  - Spoils system
KW  - Sturm und Drang
KW  - Syndicalism
KW  - Temple of Reason
KW  - The Fatherland
KW  - The Work of Art in the Age of Mechanical Reproduction
KW  - Totalitarianism
KW  - Ugo Foscolo
KW  - V
KW  - Venice Biennale
KW  - Vittorio Alfieri
KW  - Walter Benjamin
KW  - Warfare
KW  - World War I
KW  - Zeev Sternhell
N1  - Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; Art and Fascist Ideology in France and Italy: An Introduction --; The Myth of National Regeneration in Italy: From Modernist Avant-Garde to Fascism --; Ardengo Soffici and the Religion of Art --; Valentine de Saint-Point and the Fascist Construction of Woman --; Mario Sironi's Urban Landscapes: The Futurist/Fascist Nexus --; La Cite francaise: Georges Valois, le Corbusier, and Fascist Theories of Urbanism --; Waldemar George: A Parisian Art Critic on Modernism and Fascism --; The State as Patron: Making Official Culture in Fascist Italy --; Decadence and Renewal in the Decorative Arts under Vichy --; Selected Bibliography --; Notes on the Contributors --; Index; restricted access
N2  - Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany. The eight essays in this book investigate the intersection of fascist ideology and aesthetics through a wide range of historical examples. Topics include: theories of cultural regeneration in Italy from the Risorgimento to fascism; the impact of fascism upon the work of such artists and art critics as Ardengo Soffici, Mario Sironi, Valentine de Saint-Point, and Waldemar George; the theories of modernist urbanism developed by Georges Valois's Faisceau; and official sponsorship of painting and the decorative arts in Mussolini's Italy and in Vichy France. The contributors to this volume include Walter Adamson, Matthew Affron, Mark Antliff, Emily Braun, Michèle Cone, Emilio Gentile, Nancy Locke, and Marla Stone
UR  - https://doi.org/10.1515/9780691241968?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9780691241968
UR  - https://www.degruyter.com/document/cover/isbn/9780691241968/original
ER  -