TY  - BOOK
AU  - Kershaw,Baz
AU  - Bratton,Jacky
AU  - Bush-Bailey,Gilli
AU  - Davis,Jim
AU  - Dixon,Steve
AU  - Dorey Richmond,Jules
AU  - Ellis,Simon K.
AU  - Featherstone,Ann
AU  - Gale,Maggie B.
AU  - Hughes,Jenny
AU  - Iball,Helen
AU  - Kershaw,Baz
AU  - Kidd,Jenny
AU  - Ledger,Adam J.
AU  - Lee,Rosemary
AU  - McKinney,Joslin
AU  - McNamara,Catherine
AU  - Miller,Lee
AU  - Mock,Roberta
AU  - Murray,Simon
AU  - Nicholson,Helen
AU  - Normington,Katie
AU  - Parker-Starbuck,Jennifer
AU  - Pitches,Richmond
AU  - Pollard,Niki
AU  - Poynor,Helen
AU  - Richmond,David
AU  - Whalley,Joanne
AU  - Worth,Libby
AU  - Wright,Fiona
TI  - Research Methods in Theatre and Performance
T2  - Research Methods for the Arts and Humanities : RMAH
SN  - 9780748641581
U1  - 792.072 23
PY  - 2022///]
CY  - Edinburgh : 
PB  - Edinburgh University Press, 
KW  - Performing arts
KW  - Research
KW  - Methodology
KW  - Theater
KW  - Literary Studies
KW  - DRAMA / General
KW  - bisacsh
N1  - Frontmatter --; Contents --; Acknowledgements --; List of Figures --; Introduction: Doing Methods Creatively --; 1. The Imperative of the Archive: Creative Archive Research --; 2. Researching Digital Performance: Virtual Practices --; 3. Practice as Research: Transdisciplinary Innovation in Action --; 4. Researching Theatre History and Historiography --; 5. Researching Scenography --; 6. Performer Training: Researching Practice in the Theatre Laboratory --; 7. The Question of Documentation: Creative Strategies in Performance Research --; 8. The Usefulness of Mess: Artistry, Improvisation and Decomposition in the Practice of Research in Applied Theatre --; 9. Researching the Body in/as Performance --; Notes on Contributors --; Index; restricted access
N2  - Key Features Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings.Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets.Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary.Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth)
UR  - https://doi.org/10.1515/9780748646081
UR  - https://www.degruyter.com/isbn/9780748646081
UR  - https://www.degruyter.com/document/cover/isbn/9780748646081/original
ER  -