TY  - BOOK
AU  - Ruddell,Caroline
TI  - The Besieged Ego: Doppelgangers and Split Identity Onscreen 
SN  - 9780748692026
U1  - 791.409 22/ger
PY  - 2022///]
CY  - Edinburgh : 
PB  - Edinburgh University Press, 
KW  - Doppelgängers
KW  - Doubles in motion pictures
KW  - Identity (Psychology) in motion pictures
KW  - Split self in motion pictures
KW  - Film, Media & Cultural Studies
KW  - PERFORMING ARTS / Film & Video / General
KW  - bisacsh
N1  - Frontmatter --; Contents --; Acknowledgements --; Introduction --; 1. Why Psychoanalysis? --; 2. The Ego in Freud and Lacan --; 3. The Monster Within --; 4. Gendering the Double --; 5 Doubled Up: Body Swapping, Multiple Performance and Twins in the Comedy Film --; Conclusion --; Notes --; Bibliography --; Filmography --; Index; restricted access; Issued also in print
N2  - GBS_insertPreviewButtonPopup(['ISBN:9780748692040','ISBN:9780748692033','ISBN:97807486920265']);Examines the representation of fragmentary identites in filmThe Besieged Ego critically appraises the representation, or mediation, of identity in film and television through a thorough analysis of doppelgangers and split or fragmentary characters. The prevalence of non-autonomous characters in a wide variety of film and television examples calls into question the very concept of a unified, 'knowable' identity. The form of the double, and cinematic modes and rhetorics used to denote fragmentary identity, is addressed in the book through a detailed analysis of texts drawn from a range of industrial, historical and cultural contexts. The doppelganger or double carries significant cultural meanings about what it means to be 'human' and the experience of identity as a gendered individual. The double also expresses in fictional form our problematic experience of the world as a social, and supposedly whole and autonomous, subject. The Besieged Ego therefore raises important questions about the representation of identity onscreen and concomitant issues regarding autonomy and what it means to be 'human'.Key FeaturesCharts a generic account of the double onscreenCase studies include horror, fantasy, comedy, Japanese and Korean film"
UR  - https://doi.org/10.1515/9780748692033?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9780748692033
UR  - https://www.degruyter.com/document/cover/isbn/9780748692033/original
ER  -