TY  - BOOK
AU  - Deprez,Camille
AU  - Broderick,Mick
AU  - Byg,Barton
AU  - Chung,Hilary
AU  - Deprez,Camille
AU  - Feigelson,Kristian
AU  - Galmard,Eric
AU  - Goursat,Juliette
AU  - Hughes,John
AU  - Ingham,Mike
AU  - Jacobs,Robert
AU  - Luciano,Bernadette
AU  - Maasdorp,Liani
AU  - Morag,Raya
AU  - Pernin,Judith
AU  - Petty,Sheila
AU  - Takahashi,Tess
AU  - Vallejo,Aida
AU  - Williams,Deane
TI  - Post-1990 Documentary: Reconfiguring Independence 
SN  - 9780748694136
AV  - PN1995.9.D6 P69 2015
U1  - 070.1/8 23
PY  - 2022///]
CY  - Edinburgh : 
PB  - Edinburgh University Press, 
KW  - Documentary films
KW  - History and criticism
KW  - Film, Media & Cultural Studies
KW  - PERFORMING ARTS / Film & Video / Direction & Production
KW  - bisacsh
N1  - restricted access; Issued also in print
N2  - Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and stylesIn a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries. Divided into three main sections on 'History and Spaces of Resistance', 'The Personal Experience' and 'Displacement, Participation and Spectatorship', Post-1990 Documentary: Reconfiguring Independence provides an innovative interpretation of under-studied subject matters and styles, and rare analysis of differing production, distribution and exhibition strategies. It not only helps to rethink the notion of independence, but also contributes to a fundamental change in our perception of documentary filmmaking
UR  - https://doi.org/10.1515/9780748694143
UR  - https://www.degruyter.com/isbn/9780748694143
UR  - https://www.degruyter.com/document/cover/isbn/9780748694143/original
ER  -