TY - BOOK AU - Beth Oliver,Mary AU - Brottman,Mikita AU - Cantor,Joanne AU - Clarens,Carlos AU - Conrich,Ian AU - Crane,Jonathan AU - Frank,David A. AU - Freeland,Cynthia AU - Picart,Caroline J.S. AU - Pinedo,Isabel Cristina AU - Prince,Stephen AU - Sanders,Meghan AU - Schneider,Steven Jay AU - Skal,David J. AU - Tybjerg,Casper TI - The Horror Film T2 - Rutgers Depth of Field Series SN - 9780813533629 U1 - 791.43/6164 22 PY - 2004///] CY - New Brunswick, NJ : PB - Rutgers University Press, KW - Horror films KW - History and criticism KW - PERFORMING ARTS / General KW - bisacsh N1 - restricted access; Issued also in print N2 - In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series UR - https://doi.org/10.36019/9780813542577 UR - https://www.degruyter.com/isbn/9780813542577 UR - https://www.degruyter.com/document/cover/isbn/9780813542577/original ER -