TY - BOOK AU - Brooks,Kinitra D. AU - Brooks,Kinitra TI - Searching for Sycorax: Black Women's Hauntings of Contemporary Horror SN - 9780813584621 AV - PN56.H6 B76 2018 U1 - 813.00809287 23 PY - 2017///] CY - New Brunswick, NJ : PB - Rutgers University Press, KW - African American women authors KW - African American women in literature KW - American literature KW - African American authors KW - History and criticism KW - Women authors KW - Feminist theory KW - Horror in literature KW - Horror tales, American KW - Specimens KW - 21st century KW - Women authors, Black KW - Women, Black KW - Fiction KW - LITERARY CRITICISM / General KW - bisacsh KW - England KW - african literature KW - african KW - diaspora KW - haiti KW - horror fiction KW - horror KW - jamaica KW - literature KW - shakespeare KW - tempest KW - trinidad KW - women N1 - Frontmatter --; Contents --; Preface --; Acknowledgments --; Introduction. Searching for Sycorax: Black Women and Horror --; 1. The Importance of Neglected Intersections: Characterizations of Black Women in Mainstream Horror Texts --; 2. Black Feminism and the Struggle for Literary Respectability --; 3. Black Women Writing Fluid Fiction: An Open Challenge to Genre Normativity --; 4. Folkloric Horror: A New Way of Reading Black Women's Creative Horror --; Conclusion. Sycorax's Power of Revision: Reconstructing Black Women's Counternarratives --; Appendix: Creative Work Summary --; Notes --; Index --; About the Author; restricted access; Issued also in print N2 - Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre's historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror's ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror's semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare's Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness UR - https://doi.org/10.36019/9780813584645?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9780813584645 UR - https://www.degruyter.com/cover/covers/9780813584645.jpg ER -