TY  - BOOK
AU  - Alvaray,Luisela
AU  - Andrew,Dudley
AU  - Blasini,Gilberto M.
AU  - Gorfinkel,Elena
AU  - Guido,Laurent
AU  - Martin,Adrian
AU  - Paik,Peter Y.
AU  - Rhodes,John David
AU  - Schoonover,Karl
AU  - Tweedie,James
AU  - Ukadike,Frank
AU  - Ukadike,N.Frank
AU  - White,Patricia
AU  - Williams,Tami
AU  - Xu,Jian
TI  - Global Cinema Networks
T2  - Media Matters
SN  - 9780813592763
AV  - PN1995 .G5435 2018
U1  - 791.4309/05 23
PY  - 2018///]
CY  - New Brunswick, NJ : 
PB  - Rutgers University Press, 
KW  - Motion pictures
KW  - History
KW  - 21st century
KW  - PERFORMING ARTS / General
KW  - bisacsh
KW  - Africa
KW  - Asia
KW  - Europe
KW  - Latin America
KW  - Middle East
KW  - cinema
KW  - digital
KW  - film
KW  - global
KW  - international
KW  - media
KW  - technology
KW  - transnational
KW  - world
N1  - Frontmatter --; CONTENTS --; Introduction: Global Cinemas in a Time of Networks --; CARTOGRAPHIES, GEOPOLITICS, AESTHETICS --; 1. BEYOND AND BENEATH THE MAP OF WORLD CINEMA --; 2. FRAME --; 3. ABSTRACTION AND THE GEOPOLITICAL: Lessons from Antonioni’s Trip to China --; 4. THE CITY OF BITS AND URBAN RULE: Media Archaeology, Urban Space, and Contemporary Chinese Documentary --; GLOBAL IDEALITY, HISTORY, REPRESENTATION --; 5. TOWARD AN ARCHAEOLOGY OF GLOBAL RHYTHMS: Melodie der Welt and Its Reception in France --; 6. WHEN CINEMA WAS HUMANISM --; 7. AFRICAN CINEMA: Digital Media and Expanding Frames of Representation --; 8. CHANGING CIRCUMSTANCES: Global Flows of Lesbian Cinema --; Part III. KINSHIPS, IDENTIFICATIONS, GENRES --; 9. HERMANO AND LA HORA CERO: Violence and Transgressive Subjectivities in Venezuelan Youth Cinema --; 10. BETWEEN LOVE AND THE MORAL LAW: The Fatal Mother in Park Chan-wook’s Lady Vengeance --; 11. THE QUEER MEXICAN CINEMA OF JULIÁN HERNÁNDEZ --; 12. THE GANGSTER FILM AS WORLD CINEMA --; EPILOGUE 24 FRAMES: Regarding the Past and Future of Global Cinema --; ACKNOWLEDGMENTS --; NOTES ON CONTRIBUTORS --; INDEX; restricted access
N2  - Global Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contributors excavate sites of global filmmaking in an era of digital reproduction and amidst new modes of circulation and aesthetic convergence, focusing primarily on recent films made across Europe, Africa, Latin America, Asia, and the Middle East. Moving beyond the digital as a harbinger of transformation, the volume offers new ways of thinking about cinema networks in a historical continuum, from “international” to “world” to “transnational” to “global” frames
UR  - https://doi.org/10.36019/9780813592763
UR  - https://www.degruyter.com/isbn/9780813592763
UR  - https://www.degruyter.com/cover/covers/9780813592763.jpg
ER  -