TY  - BOOK
AU  - Brandon,James R.
AU  - Emmert,Richard
AU  - Hare,Tom
AU  - Kazuo,Nagao
AU  - Mansaku,Nomura
AU  - Masaki,Dōmoto
AU  - Rimer,J.Thomas
AU  - Salz,Jonah
AU  - Shirò,Nomura
AU  - Thornhill,Arthur H.
AU  - Trimillos,Ricardo D.
AU  - Tyler,Royall
TI  - No and Kyogen in the Contemporary World
SN  - 9780824863753
AV  - PN2924.5.N6 N525 1997
U1  - 792.0952 
PY  - 1997///]
CY  - Honolulu : 
PB  - University of Hawaii Press, 
KW  - Kyōgen
KW  - Congresses
KW  - N
KW  - Nō
KW  - PERFORMING ARTS / Theater / General
KW  - bisacsh
N1  - Frontmatter --; Contents --; Preface --; Foreword --; PART I: Values of Nō and Kyōgen in Contemporary Society --; Introduction --; Expanding Nō’s Horizons: Considerations for a New Nō Perspective --; Yūgen after Zeami --; The Waki-Shite Relationship in Nō --; PART II: Adaptation of Nō and Kyōgen to Contemporary Audiences --; Introduction --; A Return to Essence through Misconception: From Zeami to Hisao --; Nō Changes --; Dialogue and Monologue in Nō --; PART III: Encounters with the West --; Introduction --; Experiments in Kyōgen --; Contemporary Audiences and the Pilgrimage to Nō --; Teaching the Paradox of Nō --; Pidgin-Creole Performance Experiment and the Emerging Entre-Garde --; Index; restricted access
N2  - How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the "classic" No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology
UR  - https://doi.org/10.1515/9780824863753
UR  - https://www.degruyter.com/isbn/9780824863753
UR  - https://www.degruyter.com/document/cover/isbn/9780824863753/original
ER  -