TY - BOOK AU - DeKoven,Marianne TI - Rich and Strange: Gender, History, Modernism SN - 9781400820580 AV - PR888.M63 U1 - 823/.91091 PY - 2022///] CY - Princeton, NJ : PB - Princeton University Press, KW - American fiction KW - History and criticism KW - Authorship KW - Sex differences KW - English fiction KW - 20th century KW - Modernism (Literature) KW - English-speaking countries KW - Sex role in literature KW - LITERARY CRITICISM / Women Authors KW - bisacsh KW - Adjective KW - Allusion KW - Ambiguity KW - Ambivalence KW - Anti-Oedipus KW - Awakenings KW - Black people KW - Bourgeoisie KW - Carelessness KW - Castration KW - Classicism KW - Conflation KW - Counterstereotype KW - Cowardice KW - Cynicism (contemporary) KW - Cynicism (philosophy) KW - Deconstruction KW - Deleuze and Guattari KW - Denial (poem) KW - Desiring-production KW - Dialectic KW - Digression KW - Disgust KW - Duress KW - Embarrassment KW - Emblem KW - Eroticism KW - Fatalism KW - Femininity KW - Feminism (international relations) KW - Feminism KW - Genre KW - Gertrude Stein KW - Gloom KW - Greatness KW - Hatred KW - Ideology KW - Imagery KW - Imperialism KW - Indication (medicine) KW - Infanticide KW - Irony KW - Jacques Derrida KW - John Barth KW - Joseph Conrad KW - Kurtz (Heart of Darkness) KW - Laziness KW - Leveling (philosophy) KW - Liminality KW - Literature KW - Loneliness KW - Lord Jim KW - Luce Irigaray KW - Macabre KW - Masculinity KW - Meanness KW - Memoir KW - Metonymy KW - Misogyny KW - Modernism KW - Mr KW - Mrs KW - Narrative KW - New Criticism KW - Novel KW - Novelist KW - Oppression KW - Patusan KW - Pity KW - Plotinus KW - Poetry KW - Postmodernism KW - Promiscuity KW - Race (human categorization) KW - Racism KW - Result KW - Reterritorialization KW - Self-destructive behavior KW - Selfishness KW - Sexual inhibition KW - Simile KW - Sister Carrie KW - Stanza KW - Stupidity KW - Subjectivity KW - Suggestion KW - Superiority (short story) KW - Sympathy KW - T. S. Eliot KW - Tender Buttons (book) KW - Terence KW - The Other Hand KW - The Voyage Out KW - Think of the children KW - Thought KW - Undoing (psychology) KW - Upper middle class KW - Western culture KW - Woolf KW - Writing N1 - Frontmatter --; CONTENTS --; ACKNOWLEDGMENTS --; INTRODUCTION --; PART I: TOWARD THE MODERNIST NARRATIVE --; PART II: CONRAD AND OTHERS --; PART III: IN THE WAKE OF EARLY MODERNIST NARRATIVE --; NOTES --; INDEX; restricted access N2 - Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations UR - https://doi.org/10.1515/9781400820580?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9781400820580 UR - https://www.degruyter.com/document/cover/isbn/9781400820580/original ER -