TY - BOOK AU - Abel,Richard TI - French Film Theory and Criticism, Volume 1: A History/Anthology, 1907-1939. Volume 1: 1907-1929 SN - 9781400835485 PY - 2020///] CY - Princeton, NJ : PB - Princeton University Press, KW - Film criticism KW - France KW - History KW - Motion picture plays KW - History and criticism KW - Motion pictures KW - PERFORMING ARTS / Film & Video / History & Criticism KW - bisacsh KW - Action française KW - Aeschylus KW - Andrew, Dudley KW - Aragon, Louis KW - Arquillière KW - Barrabas (1920) KW - Bergson, Henri KW - Bernstamm, Serge KW - Bloc National government KW - Bonnotgang KW - Boris, Georges KW - Bresson, Robert KW - Bébé series KW - Caille, Alexis KW - Candide KW - Canudo, Ricciotto KW - Castle, Irène KW - Charpentier, Roger KW - Cinéa KW - Cinéopse KW - Comoedia KW - Corneille KW - Crisp, Donald KW - Dadaism KW - Delluc, Louis KW - Derain, Lucie KW - Destiny (1921) KW - Dulac, Germaine KW - Dullin, Charles KW - Eagleton, Terry KW - Eisenstein, Sergei KW - Etiévant, Henri KW - Excelsior KW - Faure, Elie KW - Fescourt, Henri KW - Films Albatros KW - Fleg, Edmond KW - Gallimard KW - Gaugin, Paul KW - Grave, Jean KW - Hansen, Miriam KW - Hériat, Philippe KW - Impressionist painting KW - Janowitz, Hans KW - Kaufman, Boris KW - Marxism KW - Nazimova KW - Offenbach, Jacques KW - Paracelsus KW - animated film KW - avant-garde, concept of KW - film industry crisis N1 - Frontmatter --; Contents --; Note on Notes --; Preface --; Acknowledgments --; PART ONE: 1907-1914 --; Before the Canon --; Selected Texts --; PART TWO: 1915-1919 --; Photogenie and Company --; Selected Texts --; PART THREE: 1920—1924 --; Cinegraphie and the Search for Specificity --; Selected Texts --; PART FOUR: 1925-1929 --; The Great Debates --; Selected Texts --; Index; restricted access N2 - These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English UR - https://doi.org/10.1515/9781400835485?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9781400835485 UR - https://www.degruyter.com/document/cover/isbn/9781400835485/original ER -