TY - BOOK AU - Marchand,Suzanne L. TI - Down from Olympus: Archaeology and Philhellenism in Germany, 1750-1970 SN - 9781400843688 AV - DD193.5 U1 - 938/.0072043 PY - 2020///] CY - Princeton, NJ : PB - Princeton University Press, KW - Archaeology KW - Germany KW - History KW - Art, Greek KW - Influence KW - Civilization, Classical KW - Enlightenment KW - Neoclassicism (Art) KW - HISTORY / Europe / Germany KW - bisacsh KW - Althoff, Friedrich KW - Aristotle KW - Bersu, Gerhard KW - Bildung KW - Brunn, Heinrich KW - Catholicism KW - Delbriick, Richard KW - Djemal Pasha KW - Dorpfeld, Wilhelm KW - Egyptology KW - Freytag, Hermann KW - George, Stefan KW - Gerhard, Eduard KW - Gymnasium KW - Hamdi Edhem KW - Herder, J. G KW - Homer KW - Ishtar Gate KW - Jaspers, Karl KW - Koldewey, Robert KW - Lachmann, Karl KW - Lebensphilosophie KW - Pausanias KW - Plato KW - Reichslimeskommission KW - Schede, Martin KW - Troeltsch, Ernst KW - Weber, Max KW - cast collections KW - excavation agreements KW - museums KW - natural sciences KW - neohumanism N1 - Frontmatter --; CONTENTS --; LIST OF ILLUSTRATIONS --; ACKNOWLEDGMENTS --; LIST OF ABBREVIATIONS --; INTRODUCTION --; ONE. The Making of a Cultural Obsession --; TWO. From Ideals to Institutions --; THREE. The Vicissitudes of Grand-Scale Archaeology --; FOUR. Trouble in Olympus --; FIVE. Excavating the Barbarian --; SIX. The Peculiarities of German Orientalism --; SEVEN. Kultur and the World War --; EIGHT. The Persistence of the Old Regime --; NINE. The Third Humanism and the Return of Romantic Aesthetics --; TEN. The Decline of Philhellenism, 1933-1970 --; SELECTED BIBLIOGRAPHY --; INDEX; restricted access N2 - Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism.This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries UR - https://doi.org/10.1515/9781400843688?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9781400843688 UR - https://www.degruyter.com/cover/covers/9781400843688.jpg ER -