TY  - BOOK
AU  - Phillips,Damon J.
TI  - Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form 
SN  - 9780691150888
AV  - ML3918.J39 P48 2017
U1  - 781.6509 23
PY  - 2013///]
CY  - Princeton, NJ : 
PB  - Princeton University Press, 
KW  - Jazz
KW  - History and criticism
KW  - Social aspects
KW  - SOCIAL SCIENCE / Sociology / General
KW  - bisacsh
KW  - African Americans
KW  - Berlin
KW  - German jazz
KW  - Milenburg Joys
KW  - New York
KW  - Victorian-era firms
KW  - Weimar Germany
KW  - adoption narratives
KW  - anti-jazz sentiments
KW  - authenticity
KW  - black musicians
KW  - bottled water
KW  - consumers
KW  - critics
KW  - cultural elites
KW  - cultural markets
KW  - cultural objects
KW  - cultural products
KW  - diffusion
KW  - discographical canon
KW  - disconnected cities
KW  - disconnectedness
KW  - geographic mobility
KW  - geography
KW  - green technology
KW  - identity sequences
KW  - identity threats
KW  - identity
KW  - incumbents
KW  - jazz music
KW  - jazz recordings
KW  - jazz standards
KW  - jazz
KW  - legitimacy
KW  - markets
KW  - mobility networks
KW  - musicians
KW  - nanotechnology
KW  - organizational role identities
KW  - product appeal
KW  - production
KW  - pseudonyms
KW  - race
KW  - re-recording
KW  - reception
KW  - record company deception
KW  - record company
KW  - record labels
KW  - recording industry
KW  - recording location
KW  - social congruence
KW  - social systems
KW  - sociological congruence
KW  - software
N1  - Frontmatter --; Contents --; Acknowledgments --; Introduction. Sociological Congruence and the Shaping of Recorded Jazz --; Chapter 1. The Puzzle of Geographical Disconnectedness --; Chapter 2. Further Exploring the Salience of Geography --; Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz --; Chapter 4. Sociological Congruence and Record Company Comparative Advantage --; Chapter 5. The Sociological Congruence of Record Company Deception --; Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives --; Chapter 7. Pulling It Together and Stretching It Beyond --; Appendix --; Notes --; References --; Index; restricted access; Issued also in print
N2  - There are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs--and not others--get rerecorded by many musicians? Shaping Jazz answers this question and more, exploring the underappreciated yet crucial roles played by initial production and markets--in particular, organizations and geography--in the development of early twentieth-century jazz.Damon Phillips considers why places like New York played more important roles as engines of diffusion than as the sources of standards. He demonstrates why and when certain geographical references in tune and group titles were considered more desirable. He also explains why a place like Berlin, which produced jazz abundantly from the 1920s to early 1930s, is now on jazz's historical sidelines. Phillips shows the key influences of firms in the recording industry, including how record companies and their executives affected what music was recorded, and why major companies would rerelease recordings under artistic pseudonyms. He indicates how a recording's appeal was related to the narrative around its creation, and how the identities of its firm and musicians influenced the tune's long-run popularity.Applying fascinating ideas about market emergence to a music's commercialization, Shaping Jazz offers a unique look at the origins of a groundbreaking art form
UR  - https://doi.org/10.1515/9781400846481?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9781400846481
UR  - https://www.degruyter.com/cover/covers/9781400846481.jpg
ER  -