TY  - BOOK
AU  - Hollweg,Brenda
AU  - Avezzù,Giorgio
AU  - Barriga,Susana
AU  - Blümlinger,Christa
AU  - Bohr,Marco
AU  - Canet,Fernando
AU  - Elsaesser,Thomas
AU  - Feldman,Ilana
AU  - Fidotta,Giuseppe
AU  - Greenhalgh,Cathy
AU  - Hollweg,Brenda
AU  - Kilroy,Peter
AU  - Krstic,Igor
AU  - Krstić,Igor
AU  - Minh-ha,Trinh T.
AU  - O’Farrell,Tim
AU  - Piotrowska,Agnieszka
AU  - Rascaroli,Laura
AU  - Tianqi Yu,Kiki
AU  - Trinh Thi,Nguyen
AU  - Wang,Bo
TI  - World Cinema and the Essay Film: Transnational Perspectives on a Global Practice 
SN  - 9781474429245
U1  - 791.436 23
PY  - 2022///]
CY  - Edinburgh : 
PB  - Edinburgh University Press, 
KW  - Experimental films
KW  - History and criticism
KW  - Film, Media & Cultural Studies
KW  - PERFORMING ARTS / Film & Video / General
KW  - bisacsh
N1  - Frontmatter --; CONTENTS --; List of Figures --; Acknowledgements --; Notes on the Contributors --; Introduction --; PART ONE CINEPHILIC DIALOGUES --; 1. The Essay Film and its Global Contexts: Conversations on Forms and Practices --; 2. Essay Films about Film: The ‘Filmed Correspondence’ between José Luis Guerin and Jonas Mekas --; PART TWO MOBILITIES AND MOVEMENTS --; 3. Accented Essay Films: The Politics and Poetics of the Essay Film in the Age of Migration --; 4. Cottonopolis: Experimenting with the Cinematographic, the Ethnographic and the Essayistic --; 5. The World Essay Film and the Politics of Traceability --; PART THREE LABORATORY OF MEMORIES --; 6. Memory as a Motor of Images: The Essayistic Mode in Apichatpong Weerasethakul’s Variations of Uncle Boonmee --; 7. ‘Time Turning into Space’: Innocence of Memories’ Prismatic Istanbul --; 8. Lovers in Time: An Essay Film of Contested Memories --; PART FOUR LANDSCAPES OF TRAUMA --; PART FOUR LANDSCAPES OF TRAUMA 9. No Man’s Zone: The Essay Film in the Aftermath of the Tsunami in Japan --; 10. ‘Image-writing’: The Essayistic/Sanwen in Chinese Nonfiction Cinema and Zhao Liang’s Behemoth --; PART FIVE ARCHIVAL EFFECTS --; 11. Indigenous Australia and the Archive Effect: Frances Calvert’s Talking Broken as Essay Film --; 12. Between Autobiography, Personal Archive and Mourning: David Perlov’s Diary 1973–1983 in Tel Aviv --; AFTERIMAGES: A PHOTO-ESSAY --; Strangely Real: A Reassemblage from the Film Forgetting Vietnam --; Index; restricted access
N2  - Explores the essay film as a global film practiceWorld Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert’s work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.Key features Includes well-known and fresh voices of essay film practice from around the world Features examples from essay film practice as researchContains interviews with non-western filmmakers, in-depth case studies of global essay film practice and self-reflexive essays by scholars and film practitioners Includes case studies of works by:John AkomfrahNoël Burch and Allan SekulaFrances CalvertToshi FujiwaraGrant GeeAmos GitaiCathy GreenhalghJosé Luis GuerínJonas MekasAngela MelitopoulosLuc MoulletNguyen Trinh ThiDavid PerlovAgnieszka PiotrowskaApichatpong Weerasethakul and Zhao Liang
UR  - https://doi.org/10.1515/9781474429269?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9781474429269
UR  - https://www.degruyter.com/document/cover/isbn/9781474429269/original
ER  -