TY - BOOK AU - Daw,Sarah TI - Writing Nature in Cold War American Literature T2 - Modern American Literature and the New Twentieth Century : MALN20C SN - 9781474430043 AV - PN98.E36 D39 2018 U1 - 801/.95 PY - 2022///] CY - Edinburgh : PB - Edinburgh University Press, KW - American literature KW - History and criticism KW - 20th century KW - Cold War in literature KW - Ecocriticism KW - Nature in literature KW - Literary Studies KW - LITERARY CRITICISM / American / General KW - bisacsh N1 - Frontmatter --; CONTENTS --; ACKNOWLEDGEMENTS --; Introduction: Ecocriticism and the Mid-Twentieth Century --; 1 Attaining fana in Paul Bowles’s Infinite Landscapes --; 2 Nature and the Nuclear Southwest: Peggy Pond Church and J. Robert Oppenheimer --; 3 The Influence of Chinese and Japanese Literature on J. D. Salinger’s Philosophy of Nature --; 4 The Beat Ecologies of Allen Ginsberg and Jack Kerouac --; 5 Bifurcated Nature in Mary McCarthy’s Birds of America --; Conclusion: ‘Know that the earth will madonna the Bomb’ --; NOTES --; INDEX; restricted access N2 - First book-length ecocritical study of Cold War American literatureCompelling analyses of the function and representation of Nature in a wide range of Cold War fiction and poetry by authors including Paul Bowles, J. D. Salinger, Jack Kerouac, Allen Ginsberg and Mary McCarthy reveals the prevalence of portrayals of Nature as an infinite, interdependent system in American literature written between 1945 and 1971.Daw astutely highlights the Cold War’s often overlooked role in environmental history and argues that Rachel Carson’s Silent Spring (1962) can be considered as part of a trend of increasingly ecological depictions of Nature in literature written after 1945. By exploring the most recent developments in the field of ecocriticism, the book is embedded within current ecocritical debates concerning the Anthropocene and anthropogenic climate change.Key FeaturesContains five case studies of six Cold War writers: Paul Bowles, Peggy Pond Church, J. D. Salinger, Jack Kerouac, Allen Ginsberg and Mary McCarthyOffers an in-depth exploration of the influences behind each writer’s presentation of NatureShows the Cold War to be a time of seismic change in the human’s relationship to the environment, and demonstrates the degree to which this inflects Cold War literatureEngages with the most recent developments in the field of ecocriticism, which drive the study’s analytical methodology and embed the book within current ecocritical debates UR - https://doi.org/10.1515/9781474430043?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9781474430043 UR - https://www.degruyter.com/document/cover/isbn/9781474430043/original ER -