TY  - BOOK
AU  - James Smith,Matthew
AU  - Byker,Devin
AU  - Curran,Kevin
AU  - Lupton,Julia Reinhard
AU  - Manley,Lawrence
AU  - Reinhard Lupton,Julia
AU  - Scolnicov,Hanna
AU  - Shimizu,Akihiko
AU  - Shortslef,Emily
AU  - Smith,Bruce R.
AU  - Smith,Matthew James
AU  - Waldron,Jennifer
AU  - West,William N.
AU  - Worthen,W.B.
TI  - Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy 
SN  - 9781474435680
AV  - PR3091 .F33 2019
U1  - 822.3/3 23
PY  - 2022///]
CY  - Edinburgh : 
PB  - Edinburgh University Press, 
KW  - Acting
KW  - Philosophy
KW  - Acting-Philosophy
KW  - Literary Studies
KW  - LITERARY CRITICISM / Drama
KW  - bisacsh
N1  - Frontmatter --; Contents --; List of Illustrations --; Acknowledgements --; Introduction --; Part I: Foundational Face Work --; 1. Outface and Interface --; 2. ‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets --; 3. The Course of Recognition in Cymbeline --; Part II: Composing Intimacy and Conflict --; 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet --; 5. Bed Tricks and Fantasies of Facelessness: All’s Well that Ends Well and Macbeth in the Dark --; Part III: Facing Judgement --; 6. The Face of Judgement in Measure for Measure --; 7. Then Face to Face: Timing Trust in Macbeth --; Part IV: Moving Pictures --; 8. The Man of Sorrows: Edgar’s Disguise and Dürer’s Self-portraits --; 9. The Face as Rhetorical Self in Ben Jonson’s Literature --; 10. Hamlet’s Face --; Afterword: Theatre and Speculation --; Notes on Contributors --; Bibliography --; Index; restricted access
N2  - Explores the drama of proximity and co-presence in Shakespeare’s playsBrings together the rare pairing of philosophical ethics and performance studies in Shakespeare’s playsEngages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanuel LevinasThis book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb – to face, outface, interface, efface, deface, sur-face – chapters reveal how Shakespeare's plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them
UR  - https://doi.org/10.1515/9781474435703?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9781474435703
UR  - https://www.degruyter.com/document/cover/isbn/9781474435703/original
ER  -