TY - BOOK AU - Brown,Catherine AU - Bell,Michael AU - Booth,Howard J. AU - Bricout,Shirley AU - Brown,Catherine AU - Childs,Peter AU - Costin,Jane AU - Cushman,Keith AU - Edwards,Sarah AU - Eggert,Paul AU - Greiff,Louis K. AU - Harrison,Andrew AU - Jenkins,Lee M. AU - Jones,Bethan AU - Jones,Susan AU - Laird,Holly A. AU - Long,Jonathan AU - Michelucci,Stefania AU - Moss,Gemma AU - Newmark,Julianne AU - Reid,Susan AU - Ruderman,Judith AU - Sherry,Vincent AU - Stevens,Hugh AU - Tambling,Jeremy AU - Trotter,David AU - Wallace,Jeff AU - Worthen,John TI - The Edinburgh Companion to D. H. Lawrence and the Arts T2 - Edinburgh Companions to Literature and the Humanities SN - 9781474456630 AV - PR6023.A93 U1 - 823.912 23 PY - 2022///] CY - Edinburgh : PB - Edinburgh University Press, KW - Art and literature KW - Authors as artists KW - Great Britain KW - Literary Studies KW - LITERARY CRITICISM / Semiotics & Theory KW - bisacsh N1 - Frontmatter --; Contents --; LIST OF ILLUSTRATIONS --; ACKNOWLEDGEMENTS --; LIST OF ABBREVIATIONS --; Introduction --; Part I Aesthetics --; 1 The Idea of the Aesthetic --; 2 GESAMTKUNSTWERK --; 3 Romanticism, Decadence, History --; 4 National and Racial Aesthetics --; 5 Traditional Aesthetics --; 6 Translation --; 7 Biblical Aesthetics --; 8 Historiography and Life Writing --; 9 Queer Aesthetics --; 10 Politics and Art --; 11 Popular Culture --; 12 Technology --; Part II Aesthetic Forms --; SECTION 1 VERBAL ARTS --; 13 The Idea of the Novel --; 14 Practitioner Criticism: Poetry --; 15 Revising and Rewriting --; SECTION 2 PERFORMANCE ARTS --; 16 Performance --; 17 Drama and the Dramatic --; 18 Music --; 19 Dance --; SECTION 3 VISUAL ARTS --; 20 Practitioner Criticism: Painting --; 21 Book Design --; 22 Sculpture --; 23 Architecture --; 24 Clothing and Jewellery --; Part III Lawrence in Others’ Art --; 25 Lawrence in Biofiction --; 26 Lawrence Set to Music --; 27 Lawrence and Twenty-First-Century Film --; 28 D. H. Lawrence: Icon --; Notes on Contributors --; Index; restricted access N2 - A detailed assessment of D. H. Lawrence’s wide-ranging engagements across the verbal, visual and performance artsOffers the most comprehensive assessment yet of Lawrence’s relationship with the artsPlaces Lawrence in the context of the latest developments in fields including life writing, posthumanism, queer theory, and technology studiesConsiders Lawrence's continued reception in other people's art, and the nature of his relevance todayThis book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence’s relationship to aesthetic categories and specific art forms in their historical and critical contexts. A new picture of Lawrence as an artist emerges, expanding from traditional areas of enquiry in prose and poetry into the fields of drama, painting, sculpture, music, architecture, dance, historiography, life writing and queer aesthetics. The Companion presents original research on topics such as Lawrence’s politics in his art, his representations of technology, his practice of revising and rewriting, and the relationship between his criticism and creation of prose, poetry and painting. This interdisciplinary Companion also makes a strong case for Lawrence’s continuing relevance and aesthetic power, as represented by case studies of his afterlives in biofiction, cinema, musical settings and portraiture UR - https://doi.org/10.1515/9781474456630 UR - https://www.degruyter.com/isbn/9781474456630 UR - https://www.degruyter.com/document/cover/isbn/9781474456630/original ER -