TY  - BOOK
AU  - Lash,Dominic
TI  - The Cinema of Disorientation: Inviting Confusions 
SN  - 9781474462778
U1  - 791.43/6 23
PY  - 2022///]
CY  - Edinburgh : 
PB  - Edinburgh University Press, 
KW  - Motion pictures
KW  - History
KW  - Perplexity (Philosophy)
KW  - Film, Media & Cultural Studies
KW  - PERFORMING ARTS / Film & Video / Direction & Production
KW  - bisacsh
N1  - Frontmatter --; Contents --; List of Illustrations --; Acknowledgements --; Introduction --; Prospectus --; Part 1: Confusion as Fusion: Metalepsis, Completeness and Coherence --; Chapter 1: Metalepsis in Film and Its Implications --; Chapter 2: Genres within Genres within Genres: Nested Narrative and Metalepsis --; Chapter 3: ‘Disappeared where it’s real hard to disappear’: Three Ways of Getting Lost in INLAND EMPIRE --; Chapter 4: Achieving Coherence: Diegesis and Death in Holy Motors --; Part 2: Disorientating Figures and Figures of Disorientation --; Chapter 5: Figuring (Out) Films: Figuration in Narrative Cinema --; Chapter 6: Distinguishing the Indistinguishable: Figures of Imperceptibility and Impossibility in Lost Highway and Caché --; Chapter 7: Homes for Displaced Figures: Pedro Costa’s Colossal Youth --; Chapter 8: Sink or Swim: Immersing Ourselves in Jean-Luc Godard’s Adieu au langage --; Conclusion: Method-Free Orientation --; Appendix: Colossal Youth Scene Breakdown --; Notes --; Bibliography --; Filmography --; Index; restricted access
N2  - Examines disorientation and confusion, and their theoretical implications, in contemporary narrative filmExplores the relationship between orientation and disorientation for the film viewerDefends a flexible and responsive form of criticism that is not without method but that tailors its method to the demands of the film in question Outlines the history and theory of the rhetorical figure of metalepsis and of the concept of figuration, both of which suggest many possibilities for further research in filmCritically discusses a very wide range of texts in film criticism, film theory, philosophy and beyondPrecisely, perhaps, because they are so immediately absorbing, narrative films can also be profoundly confusing and disorienting. This fascinating book neither proposes foolproof methods for avoiding confusion; nor does it suggest that disorientation is always a virtue. Instead it argues that the best way to come to terms with our confusion is to look closely at exactly what is confusing us, and why. At the heart of the book are original close readings of four important recent films: David Lynch's INLAND EMPIRE (2006), Leos Carax's Holy Motors (2012), Pedro Costa's Colossal Youth (2006) and Jean-Luc Godard's Goodbye to Language (2014). Clearly written but critically and theoretically bold, The Cinema of Disorientation: Inviting Confusions explores both how we get (or fail to get) our bearings with respect to a film, and what we might discover by (and while) doing so
UR  - https://doi.org/10.1515/9781474462792?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9781474462792
UR  - https://www.degruyter.com/document/cover/isbn/9781474462792/original
ER  -