TY  - BOOK
AU  - de Villiers,Rick
AU  - Gontarski,S.E.
TI  - Eliot and Beckett’s Low Modernism: Humility and Humiliation 
T2  - Other Becketts : OTBE
SN  - 9781474479035
AV  - PS3509.L43 D48 2021eb
U1  - 821/.912 23
PY  - 2022///]
CY  - Edinburgh
PB  - Edinburgh University Press
KW  - Humiliation in literature
KW  - Humility in literature
KW  - Modernism (Literature)
KW  - Literary Studies
KW  - LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
KW  - bisacsh
N1  - Frontmatter --; Contents --; Series Editor’s Preface --; Acknowledgements --; Abbreviations and Conventions --; Introduction --; 1 Fat Fingers and Private Truths: Between Manners and Morals in Eeldrop and Appleplex --; 2 Pudenda of the Psyche: Embarrassment in More Pricks than Kicks --; 3 Mr Eliot’s Sermons and Sermonising: Participation, Good Will and Humility in Murder in the Cathedral --; 4 A Defence of Wretchedness: Molloy and Humiliation --; 5 Assuming the Double Part: Irony as Humility in East Coker --; 6 How It Is and the Syntax of Penury --; Conclusion: Humility’s Edges --; Bibliography --; Index; restricted access
N2  - Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel BeckettOffers the first book-length comparative study of T. S. Eliot and Samuel BeckettDevelops a literary theory of humility and humiliation – concepts whose definitions have largely been determined by philosophy and theologyExplores the relation between negative affect, ethics and aestheticsHumility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, Eliot and Beckett’s Low Modernism demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology
UR  - https://doi.org/10.1515/9781474479059
UR  - https://www.degruyter.com/isbn/9781474479059
UR  - https://www.degruyter.com/document/cover/isbn/9781474479059/original
ER  -