TY - BOOK AU - Alfie,Fabian AU - Brody,Annelise AU - Cornish,Alison AU - Gittes,Tobias Foster AU - Kircher,Timothy AU - Magnanini,Suzanne AU - Olson,Kristina M. AU - Papio,Michael AU - Psaki,F.Regina AU - Sherberg,Michael AU - Singer,Julie AU - Zak,Gur TI - The Decameron Fourth Day in Perspective T2 - Toronto Italian Studies SN - 9781487506667 AV - PQ4287 .D4257 2020 U1 - 853/.1 23 PY - 2020///] CY - Toronto PB - University of Toronto Press KW - LITERARY CRITICISM / European / Italian KW - bisacsh KW - Boccaccio KW - Decameron KW - Italian literature KW - Italian KW - Medieval literature KW - essays KW - literary criticism KW - literary history KW - novella N1 - Frontmatter --; Contents --; Preface --; Note on Decameron Citations --; Introduction --; Love, Latinity, and Aging in the Introduction to Day Four --; “A questa tanto picciola vigilia de’ vostri sensi”: Senile Recidivism, Incest, and Egotism in Decameron IV.1 --; Incarnation in Venice (IV.2) --; The Tale of the Three Ill-Starred Sisters (IV.3) --; Love, Heroism, and Masculinity in the Tale of Gerbino (IV.4) --; The Tale of Lisabetta da Messina (IV.5) --; The Dream of the Shadow (IV.6) --; Spinning Yarns in Decameron IV.7 --; Girolamo’s Wicked Mother and the Setback of Reason in Taming Lovesickness (IV.8) --; How the vida of Guilhem de Cabestanh “quasi tutta si disfece” (IV.9) --; Happy Endings (IV.10) --; Bibliography --; Contributors --; Index; restricted access N2 - This volume, part of the Lectura Boccaccii series organized by the American Boccaccio Association, offers close readings by top scholars of Day Four of the Decameron. As fans of the Decameron know, the Fourth Day opens with an important intervention in which the author defends his project against his critics, which coincides with a significant change in tone as the subject matter turns to stories with unhappy endings. The contributors approach the stories from a variety of perspectives, including the linguistic, philosophical, anthropological, and literary historical. These fresh readings of stories that are nearly seven hundred years old testify to the enduring power of Boccaccio’s masterpiece to speak to new audiences and to find compelling relevance even at a great distance from its immediate medieval context UR - https://doi.org/10.3138/9781487536312 UR - https://www.degruyter.com/isbn/9781487536312 UR - https://www.degruyter.com/document/cover/isbn/9781487536312/original ER -