TY - BOOK AU - Pugh,Tison TI - On the Queerness of Early English Drama: Sex in the Subjunctive SN - 9781487508746 AV - PR641 U1 - 822/.10935266 23 PY - 2021///] CY - Toronto PB - University of Toronto Press KW - Desire in literature KW - English drama KW - To 1500 KW - History and criticism KW - Gender identity in literature KW - Homosexuality in literature KW - Sex in literature KW - Sexual minorities in literature KW - Sexual orientation in literature KW - DRAMA / Medieval KW - bisacsh KW - David Lyndsay KW - Everyman KW - John Bale KW - Terrence McNally KW - Tudor KW - York Corpus Christi Plays KW - allegory KW - drama KW - early English drama KW - medieval KW - morality plays KW - queer scopophilia KW - queer KW - sexuality KW - theatre N1 - Frontmatter --; Contents --; Acknowledgments --; Introduction Quem quaeritis? Queerness in Early English Drama --; PART ONE Queer Theories and Themes of Early English Drama --; Chapter One A Subjunctive Theory of Dramatic Queerness --; Chapter Two Themes of Friendship and Sodomy --; PART TWO Queer Readings of Early English Drama --; Chapter Three Performative Typology, Jewish Genders, and Jesus’s Queer Romance in the York Corpus Christi Plays --; Chapter Four Excremental Desire, Queer Allegory, and the Disidentified Audience of Mankind --; Chapter Five Sodomy, Chastity, and Queer Historiography in John Bale’s Interludes --; Chapter Six Camp and the Hermaphroditic Gaze in Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis --; Conclusion Terrence McNally’s Corpus Christi and the Queer Legacy of Early English Drama --; Notes --; Bibliography --; Index; restricted access N2 - Often viewed as theologically conservative, many theatrical works of late medieval and early Tudor England nevertheless exploited the performative nature of drama to flirt with unsanctioned expressions of desire, allowing queer identities and themes to emerge. Early plays faced vexing challenges in depicting sexuality, but modes of queerness, including queer scopophilia, queer dialogue, queer characters, and queer performances, fractured prevailing restraints. Many of these plays were produced within male homosocial environments, and thus homosociality served as a narrative precondition of their storylines. Building from these foundations, On the Queerness of Early English Drama investigates occluded depictions of sexuality in late medieval and early Tudor dramas. Tison Pugh explores a range of topics, including the unstable genders of the York Corpus Christi Plays, the morally instructive humour of excremental allegory in Mankind, the confused relationship of sodomy and chastity in John Bale’s historical interludes, and the camp artifice and queer carnival of Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis. Pugh concludes with Terrence McNally’s Corpus Christi, pondering the afterlife of medieval drama and its continued utility in probing cultural constructions of gender and sexuality UR - https://doi.org/10.3138/9781487538866 UR - https://www.degruyter.com/isbn/9781487538866 UR - https://www.degruyter.com/document/cover/isbn/9781487538866/original ER -