TY  - BOOK
AU  - Reichl,Karl
AU  - Nagy,Gregory
TI  - Singing the Past: Turkic and Medieval Heroic Poetry 
T2  - Myth and Poetics
SN  - 9781501732164
AV  - PL28.2 
U1  - 894/.3 21
PY  - 2018///]
CY  - Ithaca, NY
PB  - Cornell University Press
KW  - Epic poetry, Turkic
KW  - History and criticism
KW  - Epic poetry
KW  - Poetics
KW  - History
KW  - To 1500
KW  - Poetry, Medieval
KW  - Europe
KW  - LITERARY CRITICISM / Medieval
KW  - bisacsh
N1  - Frontmatter --; Contents --; Foreword --; Acknowledgments --; Note on Transcription, Pronunciation, and Translations --; Introduction --; CHAPTER ONE. Turkic Bards and Oral Epics --; CHAPTER TWO.Variations on Epic and History --; CHAPTER THREE. In Search of the Heroic Lay --; CHAPTER FOUR. Heroic Epic and Tribal Roots --; CHAPTER FIVE. Heroic Past and Poetic Presence --; Conclusion --; APPENDIX ONE. The Text of Tdwke-batü --; APPENDIX TWO. The Text of Ormanbet-biy --; Works Cited --; Index; restricted access
N2  - Oral epic poetry is still performed by Turkic singers in Central Asia. On trips to the region, Karl Reichl collected heroic poems from the Uzbek, Kazakh, and Karakalpak oral traditions. Through a close analysis of these Turkic works, he shows that they are typologically similar to heroic poetry in Old English, Old High German, and Old French and that they can offer scholars new insights into the oral background of these medieval texts.Reichl draws on his research in Central Asia to discuss questions regarding performance as well as the singers' training, role in society, and repertoire. He asserts that heroic poetry and epic are primarily concerned with the interpretation of the past in song: the courageous deeds of ancestors, the search for tribal and societal roots, and the definition and transmission of cultural values. Reichl finds that in these traditions the heroic epic is part of a generic system that includes historical and eulogistic poetry as well as heroic lays, a view that has diachronic implications for medieval poetry.Singing the Past reminds readers that because much medieval poetry was composed for oral recitation, both the Turkic and the medieval heroic poems must always be appreciated as poetry in performance, as sound listened to, as words spoken or sung
UR  - https://doi.org/10.7591/9781501732164
UR  - https://www.degruyter.com/isbn/9781501732164
UR  - https://www.degruyter.com/document/cover/isbn/9781501732164/original
ER  -