TY  - BOOK
AU  - Fallon,Stephen M.
TI  - Milton's Peculiar Grace: Self-Representation and Authority 
SN  - 9781501732416
U1  - 821/.4 22
PY  - 2018///]
CY  - Ithaca, NY
PB  - Cornell University Press
KW  - Authority in literature
KW  - Autobiography in literature
KW  - Self in literature
KW  - Biography & Autobiography
KW  - Literary Studies
KW  - LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
KW  - bisacsh
N1  - Frontmatter --; Contents --; Preface: The Anomalous Milton --; Acknowledgments --; Texts and Abbreviations --; 1. Self-Representation, Intention, and Authority --; 2. The Least of Sinners: Milton in Context --; 3. “Himself before Himself ”: The Early Works --; 4. “Kingdom of Free Spirits”: The Anti-Prelatical Works --; 5. “The Spur of Self-Concernment”: The Works on Domestic Liberty --; 6. “It Was I and No Other”: Interregnum Prose --; 7. “Elect above the Rest”: De Doctrina Christiana and Paradise Lost --; 8. “If All Be Mine”: Confi dence and Anxiety in Paradise Lost --; 9. “I as All Others”: Paradise Regained and Samson Agonistes --; Epilogue --; Index; restricted access
N2  - Despite writing about himself extensively and repeatedly, John Milton, the archetypal Puritan author, resolutely avoids the obligatory Augustinian narrative of sinfulness, conviction of sin, reception of the Word, regeneration of the spirit, and sanctification. The doctrine of fall, grace, and regeneration, so well illustrated in Paradise Lost, has no discernible effect on Milton's overt self-representations. Exploring this anomaly in his new book, Stephen M. Fallon contends that Milton, despite his deep engagement with theology, is not a religious writer.Why, Fallon asks, does Milton write about himself so compulsively? Why does he substitute, for the otherwise universal theological script, a story of precocious and continued virtue, even, it seems, a narrative of sinlessness? What pressures does this decision to reject the standard narrative exert on his work?In Milton's Peculiar Grace, Fallon argues that Milton writes about himself to gain immortality, secure authority for his arguments, and exert control over his readers' interpretations. He traces the return of the repressed narrative of fallenness in the author's unacknowledged and displaced self-representations, which in turn account for much of the power of the late poems. Fallon's book, based on close readings of Milton's "self-constructions" in prose and poetry throughout his career, provides a new view of Milton's life and his importance for contemporary literary theory-in particular for continued questions about authorial intention.To listen to a radio interview with Stephen Fallon discussing Milton's enduring significance, on the Australian Broadcasting Company's "Late Night Live," click here
UR  - https://doi.org/10.7591/9781501732416
UR  - https://www.degruyter.com/isbn/9781501732416
UR  - https://www.degruyter.com/document/cover/isbn/9781501732416/original
ER  -