TY  - BOOK
AU  - Barker,Francis
AU  - Boehrer,Bruce Thomas
AU  - Ferguson,Margaret
AU  - Halpern,Richard
AU  - Hulse,Clark
AU  - Kendrick,Christopher
AU  - Lachmann,Richard
AU  - Loewenstein,Joseph F.
AU  - Miller,David Lee
AU  - O'Dair,Sharon
AU  - O’Dair,Sharon
AU  - Teskey,Gordon
AU  - Weber,Harold
TI  - The Production of English Renaissance Culture
SN  - 9781501744686
U1  - 942.05 20
PY  - 2019///]
CY  - Ithaca, NY : 
PB  - Cornell University Press, 
KW  - Renaissance
KW  - England
KW  - Congresses
KW  - Medieval & Renaissance Studies
KW  - HISTORY / Renaissance
KW  - bisacsh
N1  - Frontmatter --; Contents --; Preface --; Introduction: Criticism and Cultural Production --; 1. Agans of the Manor: "Upon Appleton House" and Agrarian Capitalism --; 2. State, Church, and the Disestablishment of Magic: Orthodoxy and Dissent in Post-Reformation England and France --; 3. Legal Proofs and Corrected Readings: Press-Agency and the New Bibliography --; 4. Bestial Buggery in A Midsummer Night's Dream --; 5. News from the New World: Miscegenous Romance in Aphra Behn's Oroonoko and The Widow Ranter --; 6. Dead Man's Treasure: The Cult of Thomas More --; 7. Treasures of Culture: Titus Andronicus and Death by Hanging --; 8. "The picture of Nobody": White Cannibalism in The Tempest --; 9. Allegory, Materialism, Violence --; Notes on Contributors --; Index; restricted access
N2  - What is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history
UR  - https://doi.org/10.7591/9781501744686
UR  - https://www.degruyter.com/isbn/9781501744686
UR  - https://www.degruyter.com/document/cover/isbn/9781501744686/original
ER  -