TY  - BOOK
AU  - Abrams,Nathan
AU  - Beavis,Mary Ann
AU  - Beddingfield,Meghan Alexander
AU  - Burnette-Bletsch,Rhonda
AU  - Chattaway,Peter T.
AU  - Ehrlich,Carl S.
AU  - Ellis,Robert
AU  - Elwell,J.Sage
AU  - Exum,J.Cheryl
AU  - Friesen,Dwight H.
AU  - Giere,Samuel D.
AU  - Gravett,Sandie
AU  - Heard,R.Christopher
AU  - Hebron,Carol A.
AU  - Hioki,N.Frances
AU  - Humphries-Brooks,Stephenson
AU  - Jefford,Clayton N.
AU  - Jumper,Nathan
AU  - Kickasola,Joseph G.
AU  - Kirk,J.R.Daniel
AU  - Koosed,Jennifer L.
AU  - Kozlovic,Anton Karl
AU  - Lindsay,Richard A.
AU  - Lindvall,Chris
AU  - Lindvall,Terry
AU  - Malone,Peter
AU  - Mäder,Marie-Therese
AU  - Ogura,Fumi
AU  - Ortiz,Gaye Williams
AU  - O’Brien,Catherine
AU  - Page,Matthew
AU  - Pippin,Tina
AU  - Punt,Jeremy
AU  - Reinhartz,Adele
AU  - Rindge,Matthew S.
AU  - Runions,Erin
AU  - Sanders,Theresa
AU  - Seesengood,Robert Paul
AU  - Shepherd,David J.
AU  - Sison,Antonio D.
AU  - Stichele,Caroline Vander
AU  - Tatum,W.Barnes
AU  - Uhlenbruch,Frauke
AU  - Vaux,Sara Anson
AU  - Walsh,Richard
AU  - Zanger,Anat Y.
AU  - Zwick,Reinhold
TI  - The Bible in Motion: A Handbook of the Bible and Its Reception in Film 
T2  - Handbooks of the Bible and Its Reception (HBR) ,
SN  - 9781614515616
AV  - PN1995.9.B53 .B535 2016
U1  - 791.436822 23
PY  - 2016///]
CY  - Berlin, Boston : 
PB  - De Gruyter, 
KW  - Bible films
KW  - History and criticism
KW  - Motion pictures
KW  - Religious aspects
KW  - Bibelwissenschaft
KW  - Kino
KW  - Kultur
KW  - Religion
KW  - Rezeptionsgeschichte
KW  - RELIGION / Bible / Commentaries / General
KW  - bisacsh
KW  - Biblical Studies
KW  - Cinema
KW  - Reception History
KW  - Religion in Culture
N1  - Frontmatter --; Acknowledgements --; Contents --; List of Illustrations --; List of Contributors --; Abbreviations --; General Introduction: The Bible --; I. Biblical Characters and Stories (Hebrew Bible) --; 1. In the Beginning: Adam and Eve in Film --; 2. Noah and the Flood: A Cinematic Deluge --; 3. It’s All in the Family: The Patriarchs of Genesis in Film --; 4. The Cinematic Moses --; 5. Samson and Delilah in Film --; 6. There Might Be Giants: King David on the Big (and Small) Screen --; 7. Esther in Film --; II. Film Genres and Styles --; 8. Scripture on Silent Film --; 9. Film Noir and the Bible --; 10. The Bible Epic --; 11. Western Text(s): The Bible and the Movies of the Wild, Wild West --; 12. Mysteries of the Bible (Documentary) Revealed: The Bible in Popular Non‐Fiction and Documentary Film --; 13. From Skepticism to Piety: The Bible and Horror Films --; 14. “Moses’ DVD Collection”: The Bible and Science Fiction Film --; 15. The Word Made Gag: Biblical Reception in Film Comedy --; 16. Drawing (on) the Text: Biblical Reception in Animated Films --; 17. Anime and the Bible --; III. Biblical Themes and Genres --; 18. God at the Movies --; 19. Satan in Cinema --; 20. Creation and Origins in Film --; 21. The Book of Job in the Movies: On Cinema’s Exploration of Theodicy and the Hiddenness of God --; 22. Lament in Film and Film as Lament --; 23. What Lies Beyond? Biblical Images of Death and Afterlife in Film --; 24. This Is the End: Apocalyptic Moments in Cinema --; IV. Biblical Characters and Stories (New Testament) --; 25. Jesus and the Gospels at the Movies --; 26. Women in the Cinematic Gospels --; 27. Judas as Portrayed in Film --; 28. Jews and Judaism in New Testament Films --; 29. Paul and the Early Church in Film --; 30. Mythic Relevance of Revelation in Film --; V. Cinemas and Auteurs --; 31. David Wark Griffith: Filming the Bible as the U.S. Story --; 32 Alice Guy Blaché and Gene Gauntier: Bringing New Perspectives to Film --; 33. Oscar Micheaux’s Within Our Gates: Emergent History and a Gospel of Middle‐Class Liberation --; 34. Cecil B. DeMille: Hollywood’s Lay Preacher --; 35. Reframing Jesus: Dreyer’s Lifelong Passion --; 36. Luis Buñuel: Atheist by the Grace of God --; 37. Robert Bresson: Biblical Resonance from a Christian Atheist --; 38. Roberto Rossellini: From Spiritual Searcher to History’s Documentarian --; 39. Federico Fellini: From Catholicism to the Collective Unconscious --; 40. John Huston: The Atheistic Noah --; 41. Stanley Kubrick: Midrashic Movie Maker --; 42. In the Wake of the Bible: Krzysztof Kieślowski and the Residual Divine in Contemporary Life --; 43. Peter Weir: Man of Mystery, Mysticism, and the Mundane --; 44. Cheick Oumar Sissoko: West African Activist and Storyteller --; 45. Lee Chang-Dong: Exploring the Hidden Christ --; 46. Mark Dornford-May: Transposing the Classic --; 47. Serious Men: Scripture in the Coen Brothers Films --; 48. Liberative Visions: Biblical Reception in Third Cinema --; 49. The Reception of Biblical Films in India: Observations and a Case Study --; 50. “A Ram Butts His Broad Horns Again and Again against the Wall of the House”: The Binding Myth in Israeli Film --; VI. Voices from the Margins --; 51. Judaism and Antisemitism in Bible Movies --; 52. Ethnicity and Biblical Reception in Eve and the Fire Horse --; 53. A Slave Narrative for the “Post-Racial” Obama Age --; 54. The Temptation of Noah: The Debate about Patriarchal Violence in Darren Aronofsky’s Noah --; 55. Gay Male Villains in Biblical Epic Films --; 56. Imperialism in New Testament Films --; Film Index --; Scripture Index --; Subject Index; restricted access; Issued also in print
N2  - This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience
UR  - https://doi.org/10.1515/9781614513261
UR  - https://www.degruyter.com/isbn/9781614513261
UR  - https://www.degruyter.com/document/cover/isbn/9781614513261/original
ER  -