TY - BOOK AU - Bernstein,Lina TI - Magda Nachman: An Artist in Exile T2 - Modern Biographies SN - 9781644692677 AV - N6999.N23 B47 2020 U1 - 709.2B 23 PY - 2020///] CY - Boston, MA : PB - Academic Studies Press, KW - Artists KW - Russia KW - Biography KW - Expatriate artists KW - India KW - BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers KW - bisacsh KW - 20th century KW - Acharya KW - Bombay KW - Hilde Holger KW - Indian nationalism KW - Jewish artists KW - Kuzma Petrov-Vodkin KW - Leon Bakst KW - Magda Nachman KW - Nazism KW - Russian Berlin KW - Russian Civil War KW - Russian Revolution KW - Vladimir Nabokov KW - Zvantseva Art Academy KW - art KW - biography KW - contemporary KW - emigre artists KW - modern art KW - modernism KW - painting KW - politics KW - refugee KW - symbolism KW - women artists N1 - Frontmatter --; Contents --; Illustrations --; Acknowledgments --; Preface --; 1. The Great Little Lady of the Bombay Art World --; 2. In Magda’s Footsteps --; 3. Once There Was and Once There Was Not --; 4. The School and the Teacher --; 5. The Constellation Leo --; 6. Koktebel --; 7. The Revolutions of 1917 and Their Aftermath --; 8. The People’s Theater at Ust-Dolyssy --; 9. The Noskov Affair --; 10. M. P. T. Acharya --; 11. Exeunt Stage Left --; 12. The Emigrants --; 13. Bombay --; 14. A Case of Identity --; 15. In Quest of Magda’s Paintings --; 16. A Kindred Spirit --; 17. In Memoriam --; Epilogue --; Bibliography --; Index; restricted access N2 - The political and social turmoil of the twentieth century took Magda Nachman from a privileged childhood in St. Petersburg at the close of the nineteenth century, artistic studies with Léon Bakst and Kuzma Petrov-Vodkin at the Zvantseva Art Academy, and participation in the dynamic symbolist/modernist artistic ferment in pre-Revolutionary Russia to a refugee existence in the Russian countryside during the Russian Civil War followed by marriage to a prominent Indian nationalist, then with her husband to the hardships of émigré Berlin in the 1920s and 1930s, and finally to Bombay, where she established herself as an important artist and a mentor to a new generation of modern Indian artists UR - https://doi.org/10.1515/9781644692691?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9781644692691 UR - https://www.degruyter.com/document/cover/isbn/9781644692691/original ER -