TY - BOOK AU - Uffelmann,Dirk TI - Vladimir Sorokin’s Discourses: A Companion T2 - Companions to Russian Literature SN - 9781644692868 U1 - 891.73/5 23 PY - 2020///] CY - Boston, MA PB - Academic Studies Press KW - LITERARY CRITICISM / Russian & Former Soviet Union KW - bisacsh KW - A Month in Dachau KW - A Novel KW - Blue Lard KW - Day of the Oprichnik KW - Ice KW - Manaraga KW - Marina's Thirtieth Love KW - Moscow art scene KW - Putin KW - Russian literature KW - Socialist Realism KW - The Blizzard KW - The Norm KW - The Queue KW - book burning KW - censorship KW - contemporary KW - dissidence KW - dystopia KW - modern KW - neo-imperialism KW - neo-nationalism KW - political commentary KW - post-Soviet KW - postmodernism KW - pulp fiction KW - sex KW - taboos KW - totalitarianism KW - violence KW - vulgar language N1 - Frontmatter --; Table of Contents --; Acknowledgments --; A Note on Transliteration, Translation, and Referencing --; Disclaimer --; 1. Introduction: The Late Soviet Union and Moscow’s Artistic Underground --; 2. The Queue and Collective Speech --; 3. The Norm and Socialist Realism --; 4. Marina’s Thirtieth Love and Dissident Narratives --; 5. A Novel and Classical Russian Literature --; 6. A Month in Dachau and Entangled Totalitarianisms --; 7. Sorokin’s New Media Strategies and Civic Position in Post-Soviet Russia --; 8. Blue Lard and Pulp Fiction --; 9. Ice and Esoteric Fanaticism—a New Sorokin? --; 10. Day of the Oprichnik and Political (Anti-)Utopias --; 11. The Blizzard and Self-References of a Meta-Classic --; 12. Manaraga and Reactionary Anti-Globalism --; 13. Discontinuity in Continuity: Prospects --; Bibliography --; Index; restricted access N2 - Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow’s artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia’s “new middle ages,” while remaining steadfast in his dismantling of foreign discourses UR - https://doi.org/10.1515/9781644692868?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9781644692868 UR - https://www.degruyter.com/document/cover/isbn/9781644692868/original ER -