TY - BOOK AU - Ana,Ruxandra AU - Butterworth,James AU - Chenhall,Richard AU - Chrysagis,Evangelos AU - Farnell,Brenda AU - Imoto,Yuki AU - Karampampas,Panas AU - Kohn,Tamara AU - Pateraki,Mimina AU - Telban,Borut AU - Whiteside,Bethany AU - Wood,Robert N. TI - Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement T2 - Dance and Performance Studies SN - 9781785334535 U1 - 306.484 23 PY - 2017///] CY - New York, Oxford PB - Berghahn Books KW - Dance KW - Anthropological aspects KW - Music and dance KW - Music KW - Social aspects KW - PERFORMING ARTS / Dance / General KW - bisacsh KW - anthropology KW - artistic KW - audience KW - ballet KW - bands KW - case studies KW - cultural attitudes KW - cultural studies KW - culture KW - dance studies KW - dance KW - dancers KW - drama KW - education KW - engaging KW - ethnographic approach KW - ethnographic writing KW - greek goth scene KW - japanese shakuhachi KW - live entertainment KW - movement KW - music KW - musical philosophy KW - musicality KW - musicians KW - performance studies KW - performing arts KW - peruvian huayno KW - sociology KW - sound KW - theater KW - theatre KW - theatrical KW - world music N1 - Frontmatter --; Contents --; Illustrations and Table --; Preface --; Introduction: Collaborative Intimacies --; PART I Sound, Meaning and Self-Awareness --; Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi --; Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London --; PART II Pedagogies of Bodily Movement --; Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice --; Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman --; PART III Music Practices and Ethical Selfhood --; Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles --; Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow --; PART IV Bodies Dancing in Time and across Space --; Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience --; Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece --; PART V Motion, Irony and the Making of Lifeworlds --; Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene --; Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) --; Index; restricted access N2 - Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative UR - https://doi.org/10.1515/9781785334542?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9781785334542 UR - https://www.degruyter.com/document/cover/isbn/9781785334542/original ER -