TY - BOOK AU - Garcia,Luis-Manuel AU - Gregor,Neil AU - Irvine,Thomas AU - Kam,Lap-Kwan AU - Nye,Sean AU - Okazaki,Brooke McCorkle AU - Pollock,Emily Richmond AU - Smith,Dana AU - Sneeringer,Julia AU - Sprigge,Martha AU - Ziemer,Hansjakob TI - Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor T2 - Spektrum: Publications of the German Studies Association SN - 9781789200324 AV - ML3917.G3 D74 2019 U1 - 780.9430904 PY - 2018///] CY - New York, Oxford PB - Berghahn Books KW - Music KW - German influences KW - History and criticism KW - 20th century KW - Germany KW - Social aspects KW - History KW - National characteristics, German KW - MUSIC / History & Criticism KW - bisacsh KW - bavaria KW - berlin KW - case studies KW - dance KW - engaging KW - europe KW - fascism KW - female musicians KW - german concert halls KW - german culture KW - german democratic republic KW - german music scene KW - german music KW - german musicians KW - german society KW - germany KW - hamburg KW - historical KW - history KW - identity KW - jewish music KW - land of music KW - live arts KW - mass media KW - modern german history KW - munich national theater KW - munich KW - musicology KW - mythology KW - nazi past KW - performing arts KW - politics KW - postwar germany KW - rock and roll KW - technological advances KW - theater KW - theatrical productions KW - wagnerism KW - war N1 - Frontmatter --; CONTENTS --; FIGURES AND TABLES --; ACKNOWLEDGMENTS --; INTRODUCTION --; PART I Spaces and Moments of Affect --; CHAPTER 1 “The German in the Concert Hall” Concertgoing and National Belonging in the Early Twentieth Century --; CHAPTER 2 “Music Made in Hamburg” How One City’s Music Scene Helped Make Rock and Roll the Lingua Franca of Youth --; CHAPTER 3 “With Every Inconceivable Finesse, Excess, and Good Music” Sex, Affect, and Techno at Snax Club in Berlin --; PART II The Local, the Regional, the National --; CHAPTER 4 Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras --; CHAPTER 5 Female Musicians and “Jewish” Music in the Jewish Kulturbund in Bavaria, 1934–38 --; CHAPTER 6 Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater --; PART III Globalizing Musical Germanness --; CHAPTER 7 Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan --; CHAPTER 8 Hubert Parry, Germany, and the “North” --; PART IV Fantasies, Reminiscences, Dreams, Nightmares --; CHAPTER 9 Between Musicology and Mythology at the Stunde Null: Austria’s 950th “Birthday” and the 50th Anniversary of Bruckner’s Death --; CHAPTER 10 Hearing the Nazi Past in the German Democratic Republic Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer’s Aide –Mémoire (1983) --; CHAPTER 11 Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika --; INDEX; restricted access N2 - For many centuries, Germany has enjoyed a reputation as the ‘land of music’. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale UR - https://doi.org/10.1515/9781789200331?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9781789200331 UR - https://www.degruyter.com/document/cover/isbn/9781789200331/original ER -