TY  - BOOK
AU  - Fulk,Kirkland A.
AU  - Hall,Mirko M.
AU  - Howes,Seth
AU  - Langston,Richard
AU  - Littlejohn,John
AU  - Shahan,Cyrus
AU  - Simon,Sunka
AU  - Stehle,Maria
AU  - Werbeck,Kai-Uwe
TI  - Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational 
SN  - 9781789207408
AV  - D652 
U1  - 940.5 
PY  - 2020///]
CY  - New York, Oxford
PB  - Berghahn Books
KW  - Music
KW  - Social aspects
KW  - Germany
KW  - History
KW  - 20th century
KW  - 21st century
KW  - Popular music
KW  - History and criticism
KW  - SOCIAL SCIENCE / Media Studies
KW  - bisacsh
KW  - cultural dynamics
KW  - cultural production
KW  - cultural studies
KW  - diplomacy
KW  - engaging
KW  - ethnomusicology
KW  - europe
KW  - evolution
KW  - generational
KW  - german culture
KW  - german music
KW  - german state
KW  - german studies
KW  - germany
KW  - government and governing
KW  - historical
KW  - history
KW  - media studies
KW  - national identity
KW  - performing arts
KW  - politics
KW  - pop music
KW  - popular music studies
KW  - postwar germany
KW  - retrospective
KW  - social science
KW  - sociopolitical impact
KW  - theater
KW  - theatre
KW  - theoretical
N1  - Frontmatter --; CONTENTS --; ILLUSTRATIONS --; Introduction INTO THE MUSIC ROOMS --; Chapter 1 Licht aus–Spot an: How Schlager (ZDF 1969–1984) Beat Disco (ZDF 1971–1982) --; Chapter 2 The Birth of Autotune and the Loop of (West) German Identity --; Chapter 3 Wenn eine Band lange Zeit lebt: Puhdys, Politics, and Popularity --; Chapter 4 DIY, im Eigenverlag: East German Tamizdat LPs --; Chapter 5 Poetry of an Alien: Black Tape, Silo Nation, and the Historiography of German Hip-Hop’s Alte Schule --; Chapter 6 Death in June and the Apoliteic Specter of Neofolk in Germany --; Chapter 7 Knitted Naked Suits and Shedding Skins: The Body Politics of Popfeminist Musical Performances in the Twenty-first Century --; Chapter 8 Searching for the Young Soul Rebels: On Writing, New Wave, and the Ends of Cultural Studies --; INDEX; restricted access
N2  - For decades, Germany has been shaped and reshaped by the sounds of popular music—whether viewed as uniquely German or an ideological invader from abroad. This collected volume brings together leading figures in the field of German Studies, popular music studies, and cultural studies at large to survey the sociopolitical impact of music on conceptions of the German state and national identity, gender and sexuality, and transnational cultural production and consumption, expanding on the ways in which sounds, technologies, media practices, and exchanges of popular music provide a unique glimpse into the cultural dynamics of postwar Germany
UR  - https://doi.org/10.1515/9781789204735?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9781789204735
UR  - https://www.degruyter.com/document/cover/isbn/9781789204735/original
ER  -