TY - BOOK AU - Baetens,Jan AU - Bleyen,Mieke AU - Ciccoricco,David AU - Cobley,Paul AU - Freitas,Elsa Simões Lucas AU - Gibbons,Alison AU - Grishakova,Marina AU - Hansen,Per Krogh AU - Israel,Samuel Ben AU - Kuskin,William AU - Lehtimäki,Markku AU - McHale,Brian AU - Mittell,Jason AU - Page,Ruth AU - Ryan,Marie-Laure TI - Intermediality and Storytelling T2 - Narratologia : Contributions to Narrative Theory , SN - 9783110237733 AV - P96.N35 I67 2010eb U1 - 302.23 22 PY - 2010///] CY - Berlin, Boston : PB - De Gruyter, KW - Digital media KW - Influence KW - Discourse analysis, Narrative KW - Intermediality KW - Mass media and the arts KW - Mass media KW - Narration (Rhetoric) KW - Bild-Text-Beziehung KW - Erzähltechnik KW - Medienästhetik KW - LITERARY CRITICISM / General KW - bisacsh KW - Image and Text KW - Media KW - Storytelling N1 - Frontmatter --; Contents --; Editors’ preface --; Fiction, Cognition, and Non-Verbal Media --; Narrativity and Segmentivity, or, Poetry in the Gutter --; Vulgar Metaphysicians: William S. Burroughs, Alan Moore, Art Spiegelman, and the Medium of the Book --; Previously On: Prime Time Serials and the Mechanics of Memory --; The Paranoid Style in Narrative: The Anxiety of Storytelling After 9/11 --; Inter-Action Movies: Multi-Protagonist Films and Relationism --; All Talking! All Singing! All Dancing! Prolegomena: On Film Musicals and Narrative --; Photo Narrative, Sequential Photography, Photonovels --; The Failure of Art: Problems of Verbal and Visual Representation in Let Us Now Praise Famous Men --; Interactivity and Interaction: Text and Talk in Online Communities --; Games of Interpretation and a Graphophiliac God of War --; Advertising the Medium: On the Narrative Worlds of a Multimedia Promotional Campaign for a Public Service Television Channel --; The Narrative Worlds and Multimodal Figures of House of Leaves: “— find your own words; I have no more” --; Intermedial Metarepresentations --; Backmatter; restricted access; Issued also in print N2 - The ‘narrative turn’ in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the ‘medial turn’ in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called ‘multi-modal works’, and what new forms of narrativity are made possible by the emergence of digital media UR - https://doi.org/10.1515/9783110237740 UR - https://www.degruyter.com/isbn/9783110237740 UR - https://www.degruyter.com/document/cover/isbn/9783110237740/original ER -