TY  - BOOK
AU  - Alber,Jan
AU  - Barabtarlo,Gennady
AU  - Bruun,Sanna Katariina
AU  - Grishakova,Marina
AU  - Hatavara,Mari
AU  - Herman,David
AU  - Hyvärinen,Matti
AU  - Hägg,Samuli
AU  - Karttunen,Laura
AU  - Lehtimäki,Markku
AU  - Lothe,Jakob
AU  - McHale,Brian
AU  - Mäkelä,Maria
AU  - Pettersson,Bo
AU  - Phelan,James
AU  - Toker,Leona
AU  - Tommola,Hannu
TI  - Narrative, Interrupted: The Plotless, the Disturbing and the Trivial in Literature 
SN  - 9783110259957
AV  - PN212 .N3765 2012
U1  - 800 
PY  - 2012///]
CY  - Berlin, Boston : 
PB  - De Gruyter, 
KW  - Discourse analysis, Narrative
KW  - Literature
KW  - History and criticism
KW  - Theory, etc
KW  - Narration (Rhetoric)
KW  - Autorschaft
KW  - Comics
KW  - Erzähltheorie
KW  - Nabokov, Vladimir
KW  - LITERARY CRITICISM / General
KW  - bisacsh
KW  - Literary Authorship
KW  - Narrative Theory
KW  - Vladimir Nabokov
N1  - restricted access
N2  - Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensitive to generic specificities, disturbing details and authorial interference. Unlike the mainstream cognitive approaches or even the emergent unnatural narratology, the articles collected here explore the artifice involved in presenting something ordinary and realistic in literature. The first section of the book deals with anti-dynamic elements such as dialogue, details, private events and literary boredom. The second section, devoted to extensions of cognitive narratology, addresses spatiotemporal oddities and the possibility of non-human narratives. The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics. The common denominator for the texts discussed is the interruption of the chain of events or of the experiential flow of human-like narrative agents
UR  - https://doi.org/10.1515/9783110259971
UR  - https://www.degruyter.com/isbn/9783110259971
UR  - https://www.degruyter.com/document/cover/isbn/9783110259971/original
ER  -