TY  - BOOK
AU  - Breitinger,Eckhard
AU  - Cartmell,Deborah
AU  - Childs,Peter
AU  - Dovey,Lindiwe
AU  - Elliott,Kamilla
AU  - Emig,Rainer
AU  - Hand,Richard J.
AU  - Krämer,Lucia
AU  - Lindner,Oliver
AU  - Murray,Simone
AU  - Nicklas,Pascal
AU  - Pietrzak-Franger,Monika
AU  - Schaffeld,Norbert
AU  - Schlote,Christiane
AU  - Tunca,Daria
AU  - Voigts-Virchow,Eckart
TI  - Adaptation and Cultural Appropriation: Literature, Film, and the Arts 
T2  - spectrum Literaturwissenschaft / spectrum Literature : Komparatistische Studien / Comparative Studies ,
SN  - 9783110272055
AV  - PN171.A33 A27 2012eb
U1  - 809 23
PY  - 2012///]
CY  - Berlin, Boston : 
PB  - De Gruyter, 
KW  - Film adaptations
KW  - History and criticism
KW  - Literature
KW  - Adaptations
KW  - Literatur
KW  - Literaturaneignung
KW  - Literaturbearbeitung
KW  - LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
KW  - bisacsh
KW  - Adaptation
KW  - appropriation
N1  - Frontmatter --; Preface --; Table of Contents --; Adaptation and Cultural Appropriation --; Adaptation in Theory --; Familiarity versus Contempt: Becoming Jane and the Adaptation Genre --; Pride and Promiscuity and Zombies, or: Miss Austen Mashed Up in the Affinity Spaces of Participatory Culture --; Where Did Your Adaptation Begin?: Book Fairs, Screen Festivals and Writers’ Weeks as Engine-rooms of Adaptation --; Conversing with Ghosts: Or, the Ethics of Adaptation --; Cultural Heritage / Heritage Culture: Adapting the Contemporary British Historical Novel --; Revisiting Shakespeare: Elizabeth Rex as Filmic Metatext --; “An Entirely Different and New Story”: A Case Study of Tim Burton’s Planet of the Apes (2001) --; Grisly Skeletons and Happy Endings: The Adaptations and Appropriations of Joseph Conrad’s Fiction --; The Adaptation of Adaptation: A Dialogue between the Arts and Sciences --; Fidelity, Simultaneity and the ‘Remaking’ of Adaptation Studies --; Brontë Meets Bollywood: The Ambivalences of Appropriation and Adaptation in Tamasha’s Wuthering Heights --; Odysseus, Crusoe and the Making of the Caribbean Hero. Derek Walcott’s Variations of Great Traditions --; Appropriating Achebe: Chimamanda Ngozi Adichie’s Purple Hibiscus and “The Headstrong Historian” --; Revisiting Bolton: Transcultural Adaptation and Regional Identity in Ayub Khan-Din’s Rafta, Rafta --; List of Contributors --; Index; restricted access; Issued also in print
N2  - “Hamlet” by Olivier, Kaurismäki or Shepard and “Pride and Prejudice” in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts
UR  - https://doi.org/10.1515/9783110272239
UR  - https://www.degruyter.com/isbn/9783110272239
UR  - https://www.degruyter.com/document/cover/isbn/9783110272239/original
ER  -