TY  - BOOK
AU  - Angel,Sara J.
AU  - Asholt,Wolfgang
AU  - Ayers,David
AU  - Berg,Hubert
AU  - Blinder,Caroline
AU  - Bru,Sascha
AU  - Buchowska,Dominika
AU  - Buelens,Geert
AU  - Burrells,Anna
AU  - Dario,Maria
AU  - Elfline,Ross K.
AU  - Genin,Christophe
AU  - Hamalidi,Elena
AU  - Hjartarson,Benedikt
AU  - Hopkins,David
AU  - Jakubowska,Agata
AU  - Jutz,Gabriele
AU  - Kókai,Károly
AU  - Lewer,Debbie
AU  - Nicholls,Peter
AU  - Nikolopoulou,Maria
AU  - Nuijs,Laurence
AU  - Olsson,Jesper
AU  - Orosz,Márton
AU  - Paterson,Alexis
AU  - Perloff,Marjorie
AU  - Rialland,Ivanne
AU  - Rymenants,Koen
AU  - Samson,Regina
AU  - Spiteri,Raymond
AU  - Susik,Abigail
AU  - Sánchez-Pardo,Esther
AU  - Veivo,Harri
AU  - Verstraeten,Pieter
AU  - Walldén,Rea
AU  - Welge,Jobst
AU  - Williams,Gregory H.
AU  - Ørum,Tania
AU  - Śniecikowska,Beata
TI  - Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture 
T2  - European Avant-Garde and Modernism Studies ,
SN  - 9783110274561
PY  - 2011///]
CY  - Berlin, Boston : 
PB  - De Gruyter, 
KW  - Art and popular culture
KW  - Arts, Modern
KW  - 20th century
KW  - Modernism (Art)
KW  - Avantgarde
KW  - Populärkultur
KW  - LITERARY CRITICISM / European / General
KW  - bisacsh
KW  - Avant-garde Movements
KW  - Popular Culture
N1  - Frontmatter --; About the Series / Sur la collection / Zur Buchreihe --; Contents --; Introduction --; Given the Popular --; Terms and Canons --; “The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art --; Instrument of Inspiration: High/Low Illusions in British Experimental Music and After --; English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension --; Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide --; Art, Nation and Political Discourse --; Culture en quête de repères --; Folklore --; Dada, Carnival and Revolution --; Spuren der Volksdichtung in der ungarischen Avantgardeliteratur --; Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song --; What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry --; Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik --; The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination --; The Everyday --; Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau --; Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou --; Entre mime et possession: récits surréalistes et fictions populaires --; The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar --; “Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s --; The “Abakans” and the Feminist Revolution --; A Glossier Shade of Brown: Imi Knoebel's Raum 19 --; Commerce --; Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde --; Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers --; Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris --; Between the Old and the New: The Surrealist Outmoded as a Radical Third Term --; „The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung? --; Media --; Lessons from the Press: Picasso and Mass Print Media, 1911-37 --; Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) --; „Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst --; Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) --; A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s --; Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s --; A Tentative Embrace. Superstudio's New Media Nomads --; Index; restricted access; Issued also in print
N2  - Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures
UR  - https://doi.org/10.1515/9783110274691
UR  - https://www.degruyter.com/isbn/9783110274691
UR  - https://www.degruyter.com/document/cover/isbn/9783110274691/original
ER  -