TY  - BOOK
AU  - Cotton,Charlotte
AU  - Danuser,Hans
AU  - Gockel,Bettina
AU  - Jirka,Nadine
AU  - Jungmann,Stella
AU  - Meier,Raymond
AU  - Sheehan,Tanya
AU  - Stimson,Blake
AU  - Timby,Kim
AU  - Wilder,Kelley
AU  - Willis,Deborah
TI  - The Colors of Photography
T2  - Studies in Theory and History of Photography : Schriften der Lehr- und Forschungsstelle für Theorie und Geschichte der Fotografie am Kunsthistorischen Institut der Universität Zürich
SN  - 9783110650280
PY  - 2020///]
CY  - Berlin, Boston : 
PB  - De Gruyter, 
KW  - Farbfotografie
KW  - Schwarzweißfotografie
KW  - Wahrnehmung
KW  - Photography / General
KW  - bisacsh
KW  - black and white photography, color photography, perception
N1  - Frontmatter --; Contents --; Foreword. The Making of this Book: Why “The Colors of Photography”? --; The Arts and Politics of the Colors of Photography: An Introduction --; Color Matters: Rethinking Photography and Race --; Encounters with Color Photography --; The Color of Photography: The Covenant of Paul Strand --; The Mount Fuji of Davos. Part of the Series “Matographs and Volcanoes” 1996–2018 --; Uncalibrated: From the Standpoint of Color—Hans Danuser --; The Colors of Black-and-White Photography --; The Art & Technique of Commissioned Photography --; An Interview with Raymond Meier --; The Invention of Black-and-White Photography: Proclamations of Photography’s Aesthetic Independence and the History of Photography’s Colors --; Science, Art, and the Business of Color --; List of Contributors --; Thanks; restricted access; Issued also in print
N2  - Die Publikation "The Colors of Photography" bietet ein vertieftes Verständnis von der Bedeutung von Farbe im Feld der Fotografie. Bis anhin hat die Farbfotografie stets das „Hier und Jetzt" markiert, während Schwarzweißfotografien mit unserem Geschichtsbild verknüpft wurden und so unser kollektives Gedächtnis geformt haben. Solche generalisierenden Dichotomien beginnen sich jedoch aufzulösen wenn man die ästhetische, kulturelle und politische Komplexität von Farbe in der Fotografie betrachtet. Mit Aufsätzen von Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder und Deborah Willis. Fotografische Beiträge von Hans Danuser, Charlotte Cotton und Raymond Meier; The Colors of Photography aims to provide a deeper understanding of what color is in the field of photography. Until today, color photography has marked the "here and now," while black and white photographs have been linked to our image of history and have formed our collective memory. However, such general dichotomies start to crumble when considering the aesthetic, cultural, and political complexity of color in photography. With essays by Charlotte Cotton, Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder, Deborah Willis. Photographic contributions by Hans Danuser and Raymond Meier
UR  - https://doi.org/10.1515/9783110661484
UR  - https://www.degruyter.com/isbn/9783110661484
UR  - https://www.degruyter.com/document/cover/isbn/9783110661484/original
ER  -